From the Archives: Braids in Vogue

Today’s ideal braid is at once controlled and mussed, artfully natural in a way freckle-faced Pippi’s never were. Here, a peek at plaits—from French to fabulously fake (courtesy of Dynel)—in the Vogue Archive.

There have been clues that braids, these days, are for “big girls”—think Jemima Kirke in the first season of Girls, long-haired Lorde in her gothic-milkmaid mode, Sara Bareilles at the Grammys. The final proof that plaits are free from schoolgirl associations is offered by “Desert Flower,” the Western-themed portfolio shot by Mikael Jansson for _Vogue’_s February issue, featuring Russian stunner Sasha Pivovarova and costarring some mesmerizing fishtail braids by the ever-innovative hairstylist Eugene Souleiman. Today’s ideal braid is at once controlled and mussed, artfully natural in a way freckle-faced Pippi’s never were. Here, a peek at plaits—from French to fabulously fake (courtesy of Dynel)—in the Vogue Archive.

Featuring covers, advertisements, articles, photographs, and illustrations in their original context, the Vogue Archive offers a glimpse of Vogue’s unparalleled record of fashion, social, and cultural ideas.

Vogue.com registered users have access to a selection of editor-chosen issues from the Vogue Archive. Vogue magazine subscribers have access to a selection of 36 issues, including the very first issue of the magazine from 1892. To access the Vogue Archive, go to voguearchive.com and use the Archive Login in the upper-right corner.