How Matthieu Blazy Is Channeling the Spirit of Coco Chanel

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Chanel now and then.

Collage by Vogue

Last week marked the publication of Chanel in Vogue, a two-volume tome that looks at the intersecting histories of the French brand and the magazine between 1910 and 2025. Gabrielle “Coco” Chanel was at the helm of the maison for a total of 46 years (she shuttered her ateliers during World War II and for some time after); Karl Lagerfeld for 36.

Coco, who designed the clothes she wanted to wear, continues to be the brand’s North Star. Educated by nuns, this headstrong orphaned Frenchwoman turned demimondaine turned businesswoman was not only her own best model but the archetypal modern woman who wanted easy, streamlined clothes she could stride through the world in. She prized action and agency and was dismissive of fellow designers who, in her view, merely used women as canvases for decoration.

Ahead of Matthieu Blazy’s sophomore ready-to-wear collectsion for the brand, and using images that appeared in Vogue, here are some then-and-now connections that show how Coco’s spirit carries on.

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Chanel’s jersey dress with gold embroidered trim, 1916.

Illustration, Vogue, 1916
Chanel spring 2026 readytowear.

Chanel spring 2026 ready-to-wear.

Photo: Isidore Montag / Gorunway.com
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An embroidered Chanel dress from 1918.

Illustration, Vogue, February 15, 1918
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Chanel spring 2026 couture.

Photo: Filippo Fior / Gorunway.com
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“A windlike motion softens basic slimness.” A Chanel LBD from 1925.

Illustration by Main Rousseau Bocher, Vogue, October 15, 1925
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Chanel spring 2026 couture.

Photo: Armando Grillo / Gorunway.com
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Marion Morehouse modeling Chanel’s drop-waist evening dress with ombré fringe from 1926.

Photographed by Edward Steichen, Vogue, November 1, 1926
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Chanel pre-fall 2026.

Photo: Filippo Fior / Gorunway.com
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Marion Morehouse wears a Chanel dress with deep back décolletage and “crochet beading” in the November 1, 1927, issue of Vogue.

Photo: Edward Steichen / Getty Images
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Chanel pre-fall 2026.

Photo: Filippo Fior / Gorunway.com
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Lee Miller in a sports ensemble by Chanel, 1928.

Photographed by Edward Steichen, Vogue, July 15, 1928
Chanel spring 2026 readytowear.

Chanel spring 2026 ready-to-wear.

Photo: Isidore Montag / Gorunway.com
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Lee Miller in a velvet and tulle Chanel gown with “dramatic flare,” 1930.

Photographed by George Hoyningen-Huene, Vogue, November 24, 1930
Chanel spring 2026 readytowear.

Chanel spring 2026 ready-to-wear.

Photo: Isidore Montag / Gorunway.com
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Avis Newcomb, right, in a chiffon dress with “winglike” sleeves by Chanel, 1931.

Photographed by Edward Steichen, Vogue, July 15, 1931
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Chanel spring 2026 couture.

Photo: Filippo Fior / Gorunway.com
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Lightness is all. A sequined tulle gown and scarf designed by Chanel in 1935.

Photographed by Cecil Beaton, Vogue, December 15, 1935
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Chanel spring 2026 couture.

Photo: Filippo Fior / Gorunway.com
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Vogue touted Chanel’s bustle-like black lace peplum in 1939.

Photographed by André Durst, Vogue, April 1, 1939
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Chanel spring 2026 couture.

Photo: Armando Grillo / Gorunway.com
Chanel spring 2026 readytowear.

Chanel spring 2026 ready-to-wear.

Photo: Isidore Montag / Gorunway.com
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Chanel executed the costumes Salvador Dalí designed for the Ballets Russes de Monte Carlo’s 1939 performance of Bacchanale, set to music by Richard Wagner.

Photographed by Horst P. Horst, Vogue, October 15, 1939
Chanel spring 2026 readytowear.

Chanel spring 2026 ready-to-wear.

Photo: Armando Grillo / Gorunway.com