Nina Gualinga, co-founder of Passu Creativa, celebrates the resilience and richness of Indigenous cultures through photography and storytelling

With words by Nina Gualinga. Moments captured by Nina Gualinga, Elizabeth Swanson, Bolo Miranda, Sani Montahuano, Enoc Merino, Tsunki Shacay, River Claure, Tawna Collective
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By Nina Gualinga

Nina Gualinga, co-founder of Passu Creativa, celebrates the resilience and richness of Indigenous cultures through photography and storytelling. With words by Nina Gualinga. Moments captured by Nina Gualinga, Elizabeth Swanson, Bolo Miranda, Sani Montahuano, Enoc Merino, Tsunki Shacay, River Claure, and Tawna Collective.

Nina was a juror for our global open call, The Tree of Life: A Love Letter to Nature, and this week, at the ninth edition of the PhotoVogue Festival, she will be moderating the panel Indigenous Voices: Honoring Cultural Heritage.


Shunku

Heart

The Amazon rainforest is more than a place;
she is a living being,
full of memory,
full of stories

Her soil is rich with the wisdom of countless generations.
In her lives the resilience of saplings that grow
where the earth has been scarred

She is the heart of this Earth
beating with the same conviction
that lives in every mother,
standing firm as the roots of the ceiba tree
fighting for her people, for her territory
for all children of this Earth

for she carries the dreams of those who have come before,
and the hopes of those who are yet to be born

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Clockwise “Ñuka Shuti Man” narrates how the daughters of Carmelina Ushigua, from the Sapara people, recovers their memory after her forced migration from the jungle to the city, where she rebuilds a community resembling her childhood. Caption Photo by Colectivo Tawna “Ñuka Shuti Man” / Digital Photography. Ecuador. @tawna_cine | ‘this is not an “ayahuasca ceremony”, jayak waska would be taken when in need privately. Photos were taken during a conversation about various bitter plant medicines while tasting some during an evening in the Venecia Derecha (Kanua-Yaku) Kichwa community. Jayak waska is humble, it knows it is part of a larger ecosystem where all plant medicines hold a special role. Caption Photo by Elizabeth Virkina Swanson/ Digital Photography. Ecuador. @eli.virkina | ”the forest is alive'' a phrase often said by elders in the Ecuadorian Amazon. Those who have lived intimately, socially, and emotionally with their forest home understand this. It is beautiful to listen to elders communicate, their wisdom is valuable and their communication often mimics the sound of the land with a dance of joy and tragedy, reflecting the complexity of life in the Amazon. The forest is alive and it knows us for it knows all those who came before. Caption Photo by Elizabeth Virkina Swanson / Digital Photography. Ecuador. @eli.virkina


Yaku Warmi

Water Woman

Deep in the rivers of the Amazon
exist a worlds unseen,
worlds within worlds,
and there live creatures
keepers of secrets
balancing the web of life

Its currents flow with the strength of those
who stand to protect them,
with the voices of women who refuse to be silenced

Because women carry the rivers in their bodies,
in the swell of their wombs

Like the rivers, we are givers of life,
guiding the waters of birth,
nourishing the next generation

So when the rivers weep,
women weep too,
our tears fall for lands defiled,
for all the spirits displaced,
for the future stolen from our children

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Clockwise Ñuka Shuti Man narrates how Carmelina Ushigua’s daughters recover their Sapara memory after her forced migration from the jungle to the city, where she rebuilt a community resembling her childhood. Caption Photo by Colectivo Tawna “Ñuka Shuti Man” / Film Photography. Ecuador. @tawna_cine | “Water, silence my mind so my heart may speak”. Photo by Nina Gualinga. @ninagualinga | Piatúa Yaku, is one of the most beautiful and last free flowing rivers of the Ecuadorian Amazon. To the Kichwa people who call these lands home, the Piatúa is not merely a river but a living, breathing being—a vessel of ancestral wisdom and along its banks sacred stones rest. Photo by Nina Gualinga Ecuador/ Film Photography. Ecuador. @ninagualinga


Ñuka

Myself

They wrote about my people in their books
With words too flat, too small to hold our spirits

Their maps and borders fragmented our forests
Their stories turned my ancestors in to stereotypes
They called us indians, as if that identifies us
as if it speaks the languages they silenced,
as if it gathers the roots of all our worlds
into a single word

We are more than their museums, their books, their photographs
We are not the noble savages, nor the indians or the voiceless victims
We are not a romantic dream
We are not a vanishing past
not a cautionary tale

We are the present, the future,
alive in ways that maps and museums cannot contain

I will no longer be bound by words that were never mine
I am the river that carves the stones
I am the orchestra of animals when the night falls
I am the keeper of the languages they tried to erase
I am alive

Now I wonder if you will listen, with more than your ears
When we will tell our own stories, on our own terms

Because to represent ourselves
is to untangle imposed narratives
It is to say, “We are here,”
without asking for permission
To represent ourselves is to resist
To exist on our own terms

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Clockwise “Blooming in the Heart of the Jungle" captures Lila Shacay, a young woman from the Shuar people walking in the forest, taken by her older brother, Tsunki Shacay. Caption Photo by Tsunki Shacay / Digital photography. Ecuador. @tsunki_ @lila.shacay | “The forest in its purest expression” portrays Enoc Merino of the Kichwa Amazonian People. Photo by River Claure, Enoc Merino (caption) / Film Photography. Ecuador. @riverclaure @iru.aya | Ñuka Shuti Man narrates how Carmelina Ushigua’s daughters recover their Sapara memory after her forced migration from the jungle to the city, where she rebuilt a community resembling her childhood. Caption Photo by Colectivo Tawna “Ñuka Shuti Man” / Film Photography. Ecuador. @tawna_cine


Ñawpakma Rukuyanakuna

Future Ancestors

I did not ask for this burden,
This weight carried by my tired shoulders
I did not choose to be the one
to hold the future of the forest in my hands,
to cradle the rivers in my heart,
to defend a world that others seek to tear apart

But I am here
Because I am a future ancestor,
a child born into the tangled web of two worlds,
a world that was imposed upon me,
a world that tries to erase me,
or at best, to define me,
and carve me into shapes that do not fit
to tell me that my people’s culture is something of the past

I am a a bridge between the dreams of my elders
and the dreams of those not yet born
a guardian of what remains.
I see all the steel and concrete
I see the machines tearing open the earth’s flesh
for gold and for oil

I know that the damage done to the earth
is a wound to humanity’s hearts
I know that to protect this land, is to protect all life,
Because the breath of the Amazon rainforest
is the breath of the world

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Clockwise Wayutsentsa community, Achuar territory. Photo by River Claure 2024 / Film Photography. Ecuador. @riverclaure | "Uyantza" festival in the Sarayaku territory brings together men, women, young, and old in a joyous celebration of abundance. Istaku, returning from a successful hunting trip with the men of the community, beats his drum he crafted with his own hand, setting the rhythm of the festivities. Photo by Nina Gualinga/ Digital Photography. Ecuador. @ninagualinga | I come from the roar of the ARITIAWKU, listening to the songs of my grandmother. Photography by Sani Montahuano and Boloh Miranda / Digital Photography. Ecuador. @sanimont5456 @boloh_ | Puma Uma – Elodia Dagua (Andwa-Kichwa elder) wears a jaguar mask she created with clay. Jaguars are keystone species in the Amazon Rainforest and hold significant cultural meaning for many Indigenous people. For many, jaguars are kin. Elodia is a descendant of jaguars. To our Jaguar kin, we have not forgotten you. Photo by Elizabeth Virkina Swanson / Digital Photography. Ecuador. @eli.virkina