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Keaton Bell

Marina Diamandis Doesn’t “Wanna Live in a Man’s World Anymore”

Sofia Coppola on Dressing Her Characters, Working With Her Husband, and Why We Need a Love Letter to New York Right Now

Glenn Close Talks Broadway for Biden, Sunset Boulevard, and Cruella De Vil

Stevie Nicks Just Wants to Keep Telling Stories

Paris Hilton on Her Revealing New Documentary: “I’m Not a Dumb Blonde. I’m Just Really Good at Pretending to Be One.”

“I Didn’t Want to Be Saved”: Gabrielle Union Talks Bring It On, 20 Years Later

Every Laura Dern Performance, Ranked

How the Go-Go’s Found Their Beat: An Oral History

Alicia Silverstone on the Legacy of Clueless, 25 Years Later

What to Stream this Holiday Weekend

Jessie Ware’s What’s Your Pleasure? Will Make You Miss Skin-to-Skin Contact More Than You Already Do

British Singer-Songwriter Celeste on Her Intimate New Video and Forthcoming Album

“Comedy Loosens You up for the Other Feelings”: The Divine Contradictions of Marisa Tomei

How Hollywood Found Mira Sorvino (Again)

“I Wanted to Make Something That Was Mine.” Paramore’s Hayley Williams On Her Solo Debut, Petals for Armor

How Priyanka Chopra Is Staying Creative (and Grateful) Under Lockdown

Sofia Coppola on the 20th Anniversary of The Virgin Suicides: “It Means a Lot to Me That It Has a Life Now”

Coronavirus Halted Homegrown Musicals, So Laura Benanti Revived Them on Twitter

Fran Drescher Has Still Got It

She s All That Has an Absolutely Perfect Cast