For Gary Graham, Spring is about slipdresses and their endless layering possibilities. He thinks of these slips (the nineties staple is currently having a revival) as "shells of dresses, all that s left." Long, sheer ones were styled here under skirts that, according to Graham, were designed to resemble fitted, embroidered pillowcases with zippered slits at the sides.
There was a definite whimsy to the collection—many of the pieces looked like ones you might find at a favorite musty vintage store. Case in point: a flouncy, trapeze car coat that appeared tea-stained. More often than not, Graham wielded this kind of quirk in a modern way, topping a lingerie-inspired dress with a sharp herringbone blazer, or integrating trendy neon hues into sprayed-on floral and "antique sheet music" prints. The result: This lineup felt more accessible than seasons past.
