Weddings

Bobbi Salvör Menuez and Quori Theodor’s “Forest Rave” Wedding Was a Celebration of Community

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Photo: Ryan McGinley

For their wedding looks, the design process was fully bespoke. Bobbi knew from the outset they wanted to collaborate with designer Claire Sullivan of Miss Claire Sullivan. “We have a shared language, whimsy, sense of play and are always talking about angels, or geeking out about each other’s references,” says Bobbi of setting up their first wedding-specific meeting last year in their living room over tea. “I pulled out strands of lace and trimming from old Ziploc bags and we talked a lot about armor for the corset shape, found the ostrich feathers in a best friend’s basement, sewed bells into the pannier, and generally went all out.” It was truly a head-to-toe look, with Bobbi even finding “lace-up high-top cotton dancing shoes that Claire tea-dyed to match.”

Quori worked on an equally elaborate ceremony look with Zoe Gustavia Anna Whalen, which “started with a 40-foot diameter French parachute and a little sketch,” he says. “We played with the parachute on her roof to understand how it wanted to move in the wind and decide how she was going to make the garment.” As Quori and the designer were already close friends, it was easy to talk through ideas and let things evolve as needed. They allowed the materials to “reveal themselves” with each fitting, until a classic jacket pattern—and what the designer describes as “basketball shorts” as the base—surfaced. “The hood has boning in it and the transparent veil material was already the center of the parachute, which was eerily perfect,” says Quori. “The 30-foot train is designed as a cloak, but also has a gathered belt and kilt component that goes over the shorts and can be attached to the belt at the waist. I wore it with a Margiela cowboy slipper.”

Once the big day arrived, Bobbi and Quori got experimental with their glam. Bobbi knew they wanted to work with longtime friend Kali Kennedy for makeup, who “had an idea to make eyelash extensions from my own hair, so I gave her some two-inch pieces from my last haircut and she built these little extension pieces that felt so magic.” For the angelic beauty look, “we added tiny metallic orbs spotted into my freckles to catch the light, talked about treasure, and wanted something that felt romantic while otherworldly.” They even created a trompe-l’œil stocking in the moment, airbrushing right onto the lace. Bobbi’s friend Sean Michael Bennett helped with hair, and “we clipped in different basket weave pieces for different looks throughout the eve.” Kennedy created Quori’s “ethereal boy beat” as well. “She focused a lot on putting makeup on my ears, which I loved, with some tiny jewels hidden in unexpected places,” says Quori. Even the hair served multiple purposes, when “tendrils were glued to my face as eyeliner.”