7 Chinese Actresses You Should Know Inline
Photo: Getty Images1/7Anna May Wong
This great star of the twenties and thirties doesn’t belong on this list, and not only because she’s not a contemporary actress. Although ethnically Chinese (née Wong Liu Tsong) and widely seen as “foreign” and “exotic,” Wong was actually a third-generation American born in Los Angeles. More than any other, actress she came to embody Western clichés of China and Asia—dangerous dragon ladies, riffs on Madame Butterfly. Although she fought racial (and racist) stereotyping, she became a cultural symbol of the Mysterious East known for her fashion sense. Her costumes still define and inspire what many think of as Chinese style.
MOVIES TO SEE: The Thief of Bagdad (1924), Piccadilly (1929), Shanghai Express (1932)
Photo: ChinaFotoPress via Getty Images2/7Brigitte Lin
Born Lin Ching Hsia, this Taiwanese superstar was renowned for her extraordinary panache in gender-fluid roles. Lin played everything from tomboys to men slowly turning into women to a pair of siblings (one female, one male). She could also be funny, as in her great blonde-wigged turn in Chungking Express, maybe the best romantic comedy of the past quarter-century. And boy, could she move.
MOVIES TO SEE: Peking Opera Blues (1986), Swordsman II (1991), The Bride with White Hair (1993), Chungking Express (1994)
Photo: Rune Hellestad/Corbis Images3/7Maggie Cheung
Born in Hong Kong, educated in England, and once married to French film director Olivier Assayas, she is the most cosmopolitan of modern Chinese actresses. She may also be the most versatile, shining in everything from Jackie Chan comedies to European art films to HK tearjerkers to biopics—she’s great as legendary silent film star Ruan Lingyu. Over the years, Cheung went from an awkward beauty to a brilliant screen actress, whose Su Li-zhen in In the Mood for Love is one of modern cinema’s defining roles.
MOVIES TO SEE: Days of Being _Wild (_1990), Center Stage (1991), Comrades: Almost a Love Story (1996), In the Mood for Love (2000)
Photo: Ten Asia/Multi-Bits via Getty Images4/7Gong Li
When movies from the Mainland began hitting the West in the mid-eighties, they needed a face for the public to connect to. It belonged to Gong, who isn’t merely astonishingly beautiful and charismatic—I still remember everyone oohing and aahing at her sheer force during a Vogue photo shoot—but one of the greatest and deepest-souled actresses anywhere in the world. A famous director once told me that Gong Li giving twenty percent is better than most other actresses at their very best.
MOVIES TO SEE: Red Sorghum (1987), The Story of Qiu Ju (1992), To Live (1994), “The Hand” episode of Eros (2004)
Photo: Adam Knott/Corbis Images5/7Zhang Ziyi
This graceful Beijing-born performer wowed the West with her feisty Jen Yu in Crouching Tiger, Hidden Dragon, a performance that helped make it by far the most successful foreign movie ever to play in American theaters. A protégé of director Zhang Yimou (who also discovered Gong Li), she went on to show her skill as a dramatic actress in her heartbreaking work as a party girl in Wong Kar Wai’s great 2046. I once spent several days traveling with Zhang in Greece for a story, and she not only agreed to every stranger’s request for a photo, she looked ravishing in every single one.
MOVIES TO SEE: Crouching Tiger, Hidden Dragon (2000), 2046 (2004), House of Flying Daggers (2004), The Grandmaster (2013)