Travel

Hamish Bowles Takes in the Art and Architecture of Beijing and Shanghai

This image may contain Hamish Bowles Footwear Clothing Apparel Shoe Human Person and Home Decor
Photo: Hamish Bowles
This image may contain Path Walkway Flagstone Human Person Sidewalk and Pavement

Surveying the Great Wall.

Photo: Hamish Bowles

Also breathtaking was the descent. If the ascent was nerve-shattering, it was nothing to this. A slide sounded fun, but I hadn’t quite realized I had signed up for a bunny slope Cresta Run. I then raced with my last remaining nerve from the Wall to the airport to head to Shanghai for my first visit to the city.

No rest for the weary: From the airport, I hied directly to the Shanghai Symphony Orchestra’s concert production by Zhang Huan of Handel’s 1740 opera Semele (a favorite opera of mine, with its very witty libretto by the playwright William Congreve), which was first presented a decade ago at the Théâtre Royal de la Monnaie de Munt in Brussels. This adapted version, conducted by Long Yu and directed by Julia Burbach, was revived thanks to the efforts of the inexhaustible cultural philanthropist Lady Linda Wong Davies, whose KT Wong Foundation is committed, among other things, to create cultural cross-fertilizations across Chinese and European cultures.

The striking set was designed by Simon Lima Holdsworth and the costumes by Han Feng, and the cast included Jane Archibald in fine voice as Semele, a droll Christine Rice as both her sister Ino and the goddess Juno, and countertenor Carlo Vistoli as Athamas.