Parties

Drama and More Drama! Inside The Metropolitan Opera’s Opening Night for Medea

Brooke Shields Jordon Roth
Brooke Shields, Jordon Roth
David Benthal/BFA.com

Following the performance, guests moved over from the Swarovksi chandeliered theater to a nearby tent in the Lincoln Center’s Damrosch Park for a gala supper. At tables clustered with hurricane lanterns and the glow of lit tapered candles, guests took their seats for the event, which was chaired by Daisy Soros. 

Following the entrance of Radvanovsky, who arrived fashionably late after a costume change from her witchy black lace ensemble worn onstage to a more chic black velvet Escada gown, guests rose for another round of applause and remarks from Soros and Petet Gelb, general manager of The Metropolitan Opera. “For those of you wondering about the welfare and whereabouts of Axel and Magnus Newville, the brothers who play Medea’s children, they re now home and Sondra hugs them after every performance. So they should be okay,” he joked, alluding to the disturbing scene where they lay on the stage in blood-stained smocks. Gelb continued to provide a little comedic relief. “In The New York Times this week, Sondra is quoted as saying playing the bloody role of Medea is the best psychotherapy she could ask for. Since I ve always known that the opera house is not that different than an insane asylum, I m grateful that the connection has been finally confirmed.” In other words? Medea is crazy good.