Runway

This Is What New York Fashion Week Looked Like Before Influencers and Instagram

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Gisele Bündchen, Marc Jacobs Spring 1999
Photo: Somsack Sikhounmuong

I would definitely try to sneak into the shows when I could, and security then was pretty loose. The shows I always had on my list and the ones that I always tried to sneak into were Anna Sui, Marc Jacobs (who showed away from the tents), and Isaac Mizrahi. These were the must-stake-out shows. It was such an insider industry in the 1990s, so you would have to pull out WWD and find the calendar in there, and if I couldn’t, I would call the press offices of the brands and pretend to be someone’s assistant confirming the time, date, and place for a show. It was a different era then, and it was special, because if you really wanted to see what was going to happen in fashion in six months, you had to be at the shows, you’d have to try and find your own way in. Also, the only photos of models I’d ever seen were runway pictures, so snapping them candidly was a nice way to see models in their real clothes, their real uniforms. That stayed in my mind, and I think informed a lot of what I do now at Alex Mill and what I did when I was at J.Crew—the idea that looking great doesn’t have to equate to ultra-glamour and it doesn’t have to cost a lot of money.

I’ve kept these photos in a shoebox in my closet for the last 20 years. I’d say I probably have around 100 of them and they’ve always helped inspire me as a designer. I can still remember the excitement of dropping the film off at the photo counter at Duane Reade and the excitement of picking up the photos. Sometimes a whole roll would be garbage because the models didn’t pose long enough or they’d be fuzzy, but sometimes you’d find these really special photos that you didn’t even know you took. I love having these memories because it was a time when the industry was solely made up of people who really, really loved fashion and who just wanted to see the clothes, who loved the models. Now, there are just so many people, and it’s hard to tell who is going to the show and for what reasons, which makes it a little less special to me. Now, I am usually 99 percent sure that almost everyone is dressing up to be photographed and that just gives a very different mood to the whole experience. In the ’90s it was pure, naive even.

I always loved photographing Shalom Harlow in particular, especially since we went to the same high school in Oshawa, Canada. She was probably about three years ahead of me, but I think we shared a connection because of that. Also Kate Moss was great. Linda Evangelista. It’s interesting to look at these women and their style then and now, since today we always talk about high-low fashion and they really moved the needle with this trend back then. They had their pick of the litter when it came to designer clothes, but you could never tell that they were wearing a high-end label. They’d wear a North Face jacket on top of a Chanel tweed, or dirty sneakers with some crazy expensive coat, and that sort of style informs a lot of what I gravitate towards now in terms of mixing things up in a less obvious way.”