A “Superfine” Finale—Dapper Dan and Monica L. Miller Close the Met Exhibition in Conversation

As The Costume Institute’s spring 2025 exhibition “Superfine: Tailoring Black Style” comes to a close, The Metropolitan Museum of Art hosted a final discussion between designer, stylist, and entrepreneur Dapper Dan and Monica L. Miller, Professor and Chair of Africana Studies at Barnard College and Columbia University, and guest curator of “Superfine.” The sold-out event reflected on themes of Black dandyism, legacy, and self-expression—core to both the exhibition and Dapper Dan’s career.

Known for dressing icons such as Salt-N-Pepa, Bobby Brown, Jam Master Jay, Big Daddy Kane, Jay-Z, Beyoncé, Megan Thee Stallion, and Lil Kim—as well as athletes like Mike Tyson, Floyd Mayweather, and Diane Dixon—Dapper Dan’s influence on culture and style remains indisputable.

In true Dap fashion, the Harlem legend arrived impeccably tailored: a black suit trimmed with gold accents, oversized eyewear, and a cowboy hat emblazoned with the Sankofa symbol—the same Akan emblem he incorporated into his custom zoot suit for the 2025 Met Gala. The Sankofa, which signifies the importance of returning to the past to inform the present and future, has become a recurring motif in his design language and personal philosophy. “Out of one came many,” he says—a motto that encapsulates both his creative ethos and his reverence for cultural heritage.

Within “Superfine,” Dapper Dan’s section—titled “Cool”—draws inspiration from the Kariba suit, a 1970s design emblematic of cultural decolonization. Created to be more comfortable than colonial-era jackets, the Kariba suit was conceived as both formalwear and sportswear, intentionally breaking from Western menswear traditions.

Influenced by the collegiate style of 1950s jazz musicians like Miles Davis, Dapper Dan saw music as the natural stage for fashion. By the 1980s, his Harlem atelier became synonymous with the birth of hip-hop luxury, pioneering logo-laden streetwear with emblems borrowed from Louis Vuitton, Gucci, and Fendi—an aesthetic revolution that redefined global ideas of status and style.

When asked about dandyism, he described it as “the art of signifying—an expressive form of resilience, resistance, and flyness.” For him, the Dandy is less about clothing and more about influence: “The guy who has that swag, that personality, he’s got that look, he’s got that car—and everybody wants to be like him.”

Beyond his design legacy, Dapper Dan remains deeply committed to Harlem’s next generation of creators. At his Fifth Avenue atelier, he mentors young entrepreneurs through educational sessions that blend business acumen with creative freedom. “I’m not trying to dress young bodies,” he told the crowd. “I’m trying to dress young minds.”