Parties

Inside an Evening at the National Portrait Gallery with Erdem and Vogue100

Photographer Dave Benett, who has prowled the world’s most flashy fêtes for decades, moved around the party with his camera flashing. Despite the excursions of the previous days—a frenzy of over 30 runway shows, dozens of presentations, countless parties, and Vogue World London—the mood was giddy and energetic.

The National Portrait Gallery, a neo-classical masterpiece built of Portland stone, has loomed over St. Martin’s Place for over a century. For three years, between July of 2020 and June of this year, the museum closed for renovation. Led by star architect Jamie Fobert, the project resulted in a majestic reimagining that fused history with modernity. Erdem hosted his Fall 2020 collection, themed around Cecil Beaton, at the museum shortly before its closing (and the pandemic). The return to the venue to celebrate his Spring 2024 collection felt triumphant, and the evening offered guests a chance to discover the gorgeous galleries with a glass of Champagne in hand. Of course, the director of the NPG, Nicholas Cullinan, was eager to escort excited guests like The World of Interiors’ Hamish Bowles, who donned his signature purple blazer, around the collections.

Attendees, like Vogue’s Laura Ingham and philanthropist Jordan Rhodes, wandered through the quiet galleries, typically packed with tourists, families, and students. The pictures ranged from the Renaissance to the Enlightenment. The darkly painted Tudor wing, where many gathered to sip champagne, features the most famous portraits of Elizabeth I and other famed women of her era, including her doomed mother, Anne Boleyn, and rival queen, Mary Queen of Scots. The classicism that runs through Erdem’s designs, which almost every guest wore, evoked the pictures that hung about them. Patterns, embroidery, puff sleeves, and layers abound. In Erdem, as in royal portraiture, poetry and power live side by side.