The history of Scandinavian design doesn’t end with the mid-century—it’s continuously being written. And this week, it’s possible to get a read on a new generation of designers when the “Norway x New York” exhibition opens in SoHo.
This is the fourth installment in a series of curations organized by the online design magazine Sight Unseen and the Norwegian Consulate General, but the project has a new spin based on research conducted by Monica Khemsurov and Jill Singer (founders of the magazine) who discovered that the new generation of designers they polled wanted more than anything to be paired with American retailer. And so it was arranged: Nine Norwegian makers were paired with as many stateside retailers and tasked with creating prototype designs to be considered for production.
Looking at the outcomes, which include tables, airy space dividers, lamps, and more, it’s easy to imagine all of these designs appearing in a catalog. No teak has been used in these projects, but in keeping with the broad codes of Scandinavian design, natural materials, organic forms, and sustainability have been taken into account in different ways. Nordic design, notes Khemsurov, “has an outsize appeal to the rest of the world,” that’s linked, she suggests, to its purposefulness, democratic values, and understated aesthetics. She observed that the new generation of designers retain some of those values, but at the same time have a “more global design sensibility.” (This parallels what’s happening in Nordic fashion as well: there’s more color, experimentation, and openness to outside influences, but there’s still a sense of purpose, a belief that good design should work in everyday life.)
Around the globe, all things home-related have come into focus during the pandemic. Free of ostentation, these clever prototypes suggest new ways of living beautifully with designs that are both minimal and “extra.”
“Norway x New York” is on view at Matter, 405 Broome Street, NYC, October 7 to 20.
