What happens when Vogue picks up the phone and asks its friends—designers, models, and people with seriously good taste—to clean out their closets? You get the Vogue Vintage Market, an in-person, one-day-only shopping event packed with archival gems, runway relics, and one-off pieces that come with stories worth telling. Plus, there’s a seriously covetable selection of items sourced from eBay—and don’t forget, the event (on Saturday, March 29, from 11 a.m. to 5 p.m. at Roll Hill) is open to the public with RSVP and donation in the Vogue app, with 100% of proceeds supporting those impacted by the recent Los Angeles fires.
Among the standouts: Kendall Jenner’s 2004 micro mini and matching fanny pack from a cult-favorite Dior collection, one of several pieces she donated. There’s also a slinky Galliano slip dress (the same style Anna Wintour wore to the 1996 Met Gala), generously offered up by Emily Rockefeller. Supermodel Karen Elson is parting ways with a lavender 2010 Givenchy top, gifted to her by Riccardo Tisci himself. And don’t miss the sparkly Alice + Olivia dress Taylor Swift wore when she was inducted into the Nashville Songwriters Hall of Fame in 2011.
And that’s just a taste of what’s in store. Each piece at the Vogue Vintage Market comes with a backstory—whether it’s been plucked from the runway, worn by a cultural icon, or handpicked by one of Vogue’s closest friends. Spend the afternoon flipping through the racks, discovering hidden gems, and walking away with a piece of fashion history (or two). Below, a sneak peek at some of our favorite finds.
Kendall Jenner’s Dior 2004 Skirt and Fanny Pack
Kendall Jenner’s donation—a Dior micro mini logo skirt and coordinating fanny pack—packs a double punch of fashion history. Both pieces hail from the house’s 2004 “Rasta” capsule collection, a provocative and instantly recognizable drop that channeled green, yellow and red colors and spirit into the glossy world of Y2K-era Dior. Photographed memorably on Gisele Bündchen by Nick Knight, the collection became emblematic of early-aughts excess and the bold, if controversial, cultural mashups of John Galliano’s Dior reign. Add to that the Jenner provenance, and you’ve got a slice of fashion lore ready for a new home.
Karen Elson’s Pre-Fall 2010 Givenchy Blouse
From Karen Elson’s closet comes this sheer lavender blouse, a prime example of Riccardo Tisci’s Givenchy in its cool-girl prime. Designed for the house’s pre-fall 2011 collection, the top reflects the era when Tisci’s darkly romantic aesthetic was everywhere. “This was during Riccardo Tisci’s tenure at Givenchy, occasionally he would gift the models with a piece or two after a show and I was the lucky recipient of the blouse,” Elson shares. “I wore it to a few parties over the years but sadly it’s been hung in closet for way too long and I felt like it needed another lease of life by someone who would be as excited as I was when I received the piece!”
Alice + Olivia’s 2011 Tallulah Princess Dress (as Seen on Taylor Swift)
This metallic beaded and sequined ‘Tallulah Princess Dress’ by Alice + Olivia has bona fide pop royalty credentials—it was worn by none other than Taylor Swift to the 41st Nashville Songwriters Hall of Fame Induction Ceremony in 2011. The strapless, sequin-strewn number perfectly captured Swift’s early-2010s “princess” aesthetic, back when she was cementing her status as both a country darling and a red carpet style star. Equal parts sparkle and significance, it’s a chance to own a piece of Swiftian fashion history.
Cindy Crawford’s Spring 2005 Dior Tank
Straight from Cindy Crawford’s closet, this “Dior Not War” tank top from the brand’s spring 2005 collection is peak Y2K fashion with a message. Designed by John Galliano, the mint-green version was look 64 on the runway, part of a collection that saw Galliano pivot toward more wearable, pop culture-infused pieces—think logo tees and bouclé suits. Crawford gave the top its red carpet moment at the Mr. Mrs. Smith premiere in 2005, cementing it as both a supermodel staple and a snapshot of mid-2000s fashion’s cheeky, slogan-loving era. Now, it’s ready for a new rebel.
Lauren Santo Domingo’s Resort 2010 Prada Dress
Few dresses can claim to have sparked an entire business model, but this mixed-patterned Prada number from the brand’s 2010 resort collection did just that. It was the piece that inspired Lauren Santo Domingo—whose closet is the stuff of fashion fantasy—to launch Moda Operandi’s now-famous trunk shows, allowing shoppers to buy looks straight off the runway. After spotting the dress, Santo Domingo tracked it down immediately, realizing she couldn’t be the only one craving that instant access. Now, it’s your turn to make it yours.
Loewe’s Fall 2023 Silk Dress
A future heirloom if there ever was one, this white silk Loewe dress opened Jonathan Anderson’s Fall 2023 collection—and quickly earned its place in the fashion canon. Woven with a hazy, blurred floral motif, it struck a delicate balance between artistry and wearability, so much so that it was featured in last year’s Met Costume Institute exhibition Sleeping Beauties: Reawakening Fashion. Not quite vintage, but already museum-worthy, this is the kind of piece serious collectors dream about. Donated by Loewe.
Versace’s Spring 2002 Daisy Print Skirt
This stretch mini skirt from Versace’s spring 2002 collection is a punchy ode to Y2K maximalism, splashed with the collection’s signature cartoonish daisy print. Donatella Versace dialed up the pop-art energy that season, sending models down the runway in bold florals that felt straight out of a Warhol canvas, filtered through a mod-meets-early-2000s lens. Playful, unapologetically loud, and pure Versace, this skirt captures an era when more was more—and makes a statement that still hits today. Donated by Alexandra Longanecker.
Emily Rockefeller’s Galliano 1996 Dress
A master of the slinky bias cut, John Galliano delivered one of his signatures with this blue and white floral slip dress, featuring delicate spaghetti straps and ethereal sprays of flowers. Plus, the dress carries extra fashion pedigree: a near-identical version was worn by Anna Wintour to the 1996 Met Gala, held in homage to Christian Dior. It’s a quintessential example of Galliano’s romantic yet razor-sharp design sensibility—a piece that bridges red carpet history and enduring elegance. Donated by Emily Rockefeller.
Amy Griffin’s Balenciaga Le Dix c. 1980/90s Silk Coat
This baby blue silk coat hails from Balenciaga’s elusive Le Dix line—a diffusion label from the late 1970s to early ’90s that broadened the house’s reach beyond its Paris atelier. Defined by oversized buttons and crisp topstitching, it reflects the era’s polished, power-dressing aesthetic while still carrying Balenciaga’s storied name. For collectors, Le Dix pieces represent a fascinating chapter in the brand’s evolution—licensed, yet undeniably luxe. This coat is a rare gem from fashion’s archival undercurrents. Donated by Amy Griffin.
Pierre Cardin c. 1970s/80s Wool Cloak
This berry-hued cloak by Pierre Cardin is a masterclass in sculptural design, draping the wearer in cocoon-like folds that blur the line between fashion and art. Likely from the 1970s, it reflects Cardin’s fascination with geometry and form—hallmarks of the avant-garde, Space Age aesthetic that defined his career. While Cardin is often remembered for his futuristic womenswear and influence on menswear’s Peacock Revolution, pieces like this cloak capture his genius for transforming silhouettes into statement-making architecture. Donated anonymously.
Bee Carrozzini’s Valentino 2021 Met Gala Dress
Few dresses can claim both couture craftsmanship and a red carpet moment, but this custom Valentino gown worn by Bee Carrozzini to the 2021 Met Gala delivers on both counts. Designed in a sumptuous turquoise hue, the dress features off-the-shoulder puff sleeves, an empire waist, and a dramatic train—all rendered in voluminous, sweeping silk taffeta fabric that speaks to the mastery of the Valentino atelier. Created to accommodate Carrozzini’s then-expecting silhouette, it’s a rare piece that balances grandeur with grace. Donated by Bee Carrozzini.
Tommy Hilfiger’s Spring 2000 Cowboy Boots
These red, white, and blue cowboy boots are pure turn-of-the-millennium Americana, straight from Tommy Hilfiger’s electrifying spring 2000 runway. Worn by Naomi Campbell herself as she opened the show at Madison Square Garden, they embody Hilfiger’s knack for remixing classic American motifs—stars, stripes, and all—into pop-infused, high-gloss fashion statements. Part of a collection that leaned hard into modern-day cowboy swagger, these boots aren’t just footwear—they’re a piece of early-2000s runway history with supermodel pedigree. Donated by Tommy Hilfiger.
Louis Vuitton’s Fall 2023 Bag
A true collector’s piece, this Louis Vuitton Petite Malle bag is fresh off the fall 2023 runway and brimming with heritage and craft. Designed to resemble a Parisian street sign, the bag nods to the maison’s founding year—1854—while this particular version swaps “Paris” for “Seoul,” adding a global twist to an iconic design. Sleek, structured, and steeped in Vuitton history, it’s a runway trophy with a cosmopolitan edge. Donated by Louis Vuitton.
Fabiola Beracasa Beckman’s Christian Dior late 1960s/early ’70s Gown
This metallic brocade Dior maxi dress, designed by Marc Bohan in the late 1960s/early ’70s, is a dazzling collision of bohemian ease and high-octane glamour. With its exotic, psychedelic print and intricate beadwork along the neckline, sleeves, and waist, it embodies Bohan’s knack for infusing Dior’s heritage with the free-spirited energy of the era. A haute couture take on hippie chic, this gown captures the moment when fashion houses looked East, embraced excess, and made boho nothing short of luxurious. Donated by Fabiola Beracasa Beckman.
Proenza Schouler’s Fall 2023 Dress
Proof that recent fashion can be instantly iconic, this metallic woven dress from Proenza Schouler’s fall 2023 collection is a masterpiece of texture—its crinkled, scrunched layers gleam like hammered metal. But its runway credentials are only half the story: Margot Robbie wore the dress in Vogue’s summer 2023 cover shoot celebrating the Barbie movie, styled as a high-fashion, intergalactic “Space Barbie.” A standout piece that bridges craftsmanship and cultural zeitgeist. Donated by Proenza Schouler.
Willy Chavarria’s 2025 Black Hat
This black wool hat, adorned with a striking red flower, comes directly from Willy Chavarria’s personal archive—a designer renowned for weaving Chicano culture and social activism into high fashion. Hats in Chavarria’s collections often pay homage to Cholo and Pachuco styles, reflecting the rebellious spirit of Latinx subcultures in California and the American Southwest. This particular piece embodies that cultural narrative, blending traditional motifs with contemporary design. It s not just an accessory; it’s a symbol of identity, resilience, and the seamless fusion of cultural history with modern fashion. Donated by Willy Chavarria.
Marc Jacobs’ 2010s The Kiki Platform Mary Jane
Few shoes have stomped their way into the fashion lexicon quite as rapidly as Marc Jacobs’s Kiki platforms. Originally debuted in his fall 2016 runway show, the towering Mary Janes quickly became a cult favorite, beloved by celebrities and style insiders alike. This particular pair—pulled straight from the Marc Jacobs archive—channels the spring 2023 iteration, crafted in distressed dove gray with artful rubbed detailing. Equal parts grunge and glamour, they’re a quintessential piece of Jacobs’s rebellious, platform-powered legacy. Donated by Marc Jacobs.
This navy coat from Prada’s spring 2020 collection proves that the beauty of Prada lies in the details. Embellished with delicate white beaded feather plumes, it balances sharp tailoring with whimsical elegance—a signature of Miuccia Prada’s vision. Adding to its allure? The donor has chosen to remain anonymous, leaving its next chapter entirely up to you. Donated anonymously.
Fabiola Beracasa Beckman’s Erdem Spring 2018 Dress
This pale yellow organza midi dress from Erdem’s spring 2018 collection is a masterclass in delicate beauty, embroidered with intricate florals and finished with a lilac ribbon sash for a perfectly unexpected contrast. Look 16 on the runway, the dress was part of Erdem Moralıoğlu’s heartfelt tribute to Queen Elizabeth II—specifically, her little-known love of jazz and cultural connection to 1950s Harlem. Equal parts regal and romantic, it’s a piece steeped in storytelling, crafted for anyone who appreciates elegance with a deeper narrative. Donated by Fabiola Beracasa Beckman.