Weddings

The Bride Wore a Pearl-Embroidered Danielle Frankel Dress to Marry at the Foot of the Elk Mountains

The Bride Wore a PearlEmbroidered Danielle Frankel Dress to Marry at the Foot of the Elk Mountains

The Friday-night party was at a tequila bar and restaurant in Crested Butte called Bonez. The vibe was both campy and macabre: Eve and Matt love Halloween and love a theme, so they made the dress code Till Death Do Us Party. “We kept it open-ended, and lots of guests wore dark suits and witchy dresses, but some wore straight-up costumes,” Eve remembers. “I wore an archival McQueen gown that stylist Carrie Goldberg helped me find and an antique late-19th-century necklace from Stephen Russell. Crested Butte is a historic mining town, and Bonez is in an 1889 building that once housed the town’s electric plant. It has a dark, antique, almost decaying feel. The gown mirrored that. From afar, it looks like any black lace, off-the-shoulder gown, but up close it’s actually an outer layer falling apart—decaying—to reveal an underlayer, like something you’d find in an attic.”

The morning after the party, Eve and Matt invited their guests on a hiking excursion along the Slate River that ended with a picnic lunch. “We thought that at best maybe 20 or 30 of our guests would join because the night before had gone quite late and not all our guests were hikers,” Eve says. “But almost the entire wedding came. That was so special to us because above all what makes Crested Butte so incredible is the unparalleled landscape and access to the outdoors. The mental image of 80 of our closest family and friends walking in a single-file line through the mountains and fall foliage is something I’ll cherish forever.”

The ceremony was held at the foot of the Elk Mountains. The wedding dress itself—which was a custom design by Danielle Frankel—was a complete labor of love for the bride. “A close friend planted the idea in my head of a pearl-embroidered gown when she sent me a photo of the look Lila Moss wore in Kim Jones’s first couture show for Fendi,” Eve explains. “I showed it to Stef, who was the one who had had the idea to connect me with stylist Carrie Goldberg of CLG Creative and her partner in crime and principal stylist, Lex Alexandris.”

They, in turn, connected her with designer Danielle Hirsch of Danielle Frankel. Eve worked closely with Goldberg, Alexandris, and Frankel over the next seven months to bring the vision of a baroque-pearl-embroidered gown to life. As they didn’t work from an existing design, every aspect of the silhouette, construction, and embroidery was a decision that had to be worked through for the first time. “Danielle and her team are meticulous,” Eve says. “At one of the last fittings we had before the wedding, Danielle reviewed every pearl to make sure they looked right. A few got the axe because they were too big or small.”