Parties

Demi! Demna! Doja Cat! Inside the Star-Studded LACMA Art + Film Gala

LACMA 2025
Photo: Poupay Jutharat

After a cocktail reception, some 600 glamorous guests made their way from the museum’s outdoor courtyard into an enormous dining room, specially constructed for one night only against the backdrop of the almost-complete David Geffen Galleries (the new 110,000 square foot exhibition space is scheduled to open to the public in April 2026.) Fitted out with an autumnal chocolate brown Gucci carpet, the space was transformed with tablescapes laden with porcelain plates and bouquets of deep purple calla lilies. Setting the party mode, throwback tunes such as Depeche Mode’s Enjoy the Silence played from the speakers as guests settled in for a lavish three-course meal of Korean cuisine by Michelin-starred Cote.

Troye Sivan was busy catching up with seatmate Lorde. “Any party that supports the arts is a great cause, and there’s nothing more important and better than that,” said Sivan, who performed with Charli XCX at last year’s gala. “This party has a fun vibe. Everyone is super nice.”

At the center table sat Crawford, who shared a long conversation with Demna s muse Demi Moore, who was resplendent in a spectacular jeweled gown with a regal high neck. Meanwhile, Gerber left her seat next to her mom to reunite with friends and fellow runway regulars, models Paloma Elsesser and Alex Consani. Crouching down on the floor, she placed her arms on the table for an animated chat as they pose for selfies. Nearby, Elle Fanning—in baby blue lace with sheer long sleeves and a fluffy coat draped around her arms—spoke with Demna. “It’s a beautiful color that I don’t wear a lot and I love it,” Fanning told Vogue earlier in the night. “I tried it on and it zipped up like a glove.”

Salma Hayek Pinault was spotted chatting with Tessa Thompson, who was dressed in a metallic gown with a deep open back. “I feel like I’m in liquid silver! It’s exceedingly comfortable and it’s business in the front and party in the back,” she said gleefully. Thompson was in attendance to pay tribute to Coogler, who directed her in Creed alongside Michael B. Jordan. “He’s an extraordinary filmmaker. He’s interested in community and wants to expand our ideas of what’s possible with the Black identity,” she praised. “He’s the most imaginative person and truly a solid, just lovely, caring, empathetic human being.”