Grand Entrance: Natalia Vodianova and the Paris Opera Ballet's Benjamin Millepied
Photographed by Annie Leibovitz, Vogue, November 20141/7Golden Chance
It was “probably the only job that was going to bring me home,” Millepied says. On Vodianova: Oscar de la Renta tulle dress embroidered with beads and organza flowers. On Millepied: Doyle+Mueser three-piece suit and Church’s lace-up shoes (worn throughout).
Fashion Editor: Tonne Goodman
_In this story:
Hair: Oribe for Oribe Hair Care; Makeup: Stéphane Marais
Menswear Editor: Michael Philouze
Photographed at the Palais Garnier
Production Design: Mary Howard_
Photographed by Annie Leibovitz, Vogue, November 20142/7Empire Line
The Paris Opera House was the most expensive building in Napoleon III’s grand redevelopment of the French capital. Pegasus sculpture by Eugène-Louis Lequesne, 1875. Donna Karan New York tricolor silk halter dress.
Photographed by Annie Leibovitz, Vogue, November 20143/7On Reflection
“I’m essentially an outsider,” says Millepied, who trained at the School of American Ballet. J. Mendel hand-pleated silk chiffon–and–tulle dress with gold lamé skirt. Chanel Haute Couture sandals.
Photographed by Annie Leibovitz, Vogue, November 20144/7Espirit de Corps
Millepied, on the main stage with a group of his étoiles, has commissioned seven new ballets for next season. On Vodianova: Valentino Haute Couture organza dress with lamé and velvet flower embroidery.
Photographed by Annie Leibovitz, Vogue, November 20145/7Gilded Muse
Vodianova recalls visiting the ballet with her grandmother. “I always adored it,” she says. Dolce Gabbana Alta Moda hand-painted top and skirt with embroidered brocade. Ana Khouri gold-leaf tiara. Chanel Haute Couture sandals.
