19 Pinnable Marc Jacobs Mash-Ups Inspired by His Most Madcap Collections

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If fashion had an Olympics, one of the events would be decoding the Marc Jacobs show. Scheduled for this evening, it is the most anticipated, and scrutinized, of the New York season—no matter how delayed the show start. Every six months, the designer changes tack at the same time that he propels fashion forward. Sometimes he’ll call out one or more of the impetuses for those changes—high-school proms (spring 2006), the Cat in the Hat (fall 2012), Victoriana (spring 2014)—which, in truth, tell only part of the story. Any of these specific references is always transformed, and placed into a larger narrative, mood, and feeling which takes Jacobs’s work in a much different direction than it traveled in six months earlier. An (almost) all-white line-up follows a dark-hued one; layering precedes controlled tailoring.​ It’s a process that’s fascinating to follow. Won’t you join in the fun as we share our lightheartedly assemblage of a decade of Marc Jacobs shows, between fall 2005 and spring 2015?

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The show opened with a high-school marching band, and closed with prom-inspired dresses worthy, we think, of teen heart throb Winona Ryder.Photo: (from left) Courtesy of Marc Jacobs; Everett Collection
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WELCOME HOME, ROXY CARMICHAEL, Winona Ryder, Thomas Wilson Brown, 1990Courtesy Everett Collection
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Jacobs, who electrified the fashion world with his YEAR grunge collection for Perry Ellis, evoked nomadic street waifs again for fall 2006, saying he wanted the clothes to be “romantic, yet somehow urban.”Photo: (from left) Courtesy of Marc Jacobs; ABC Photo Archives/ABC via Getty Images
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©Dan&Corina Lecca
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“Luminosity” and “Halston” were among the adjectives Jacobs used to describe his light, airy spring collection.Photo: (from left) Ron Galella, Ltd./Wireimage; Courtesy of Marc Jacobs
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Restraint replaced fluidity at Marc Jacobs for autumn.Photo: (from left) Hulton Archive/Getty Images; Courtesy of Marc Jacobs
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Lingerie touches and upside-down shoes came together in this show which celebrated eccentricity.Photo: (from left) Paula Yates and Jools Holland, RB/Redferns; Courtesy of Marc Jacobs
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Autumn found Jacobs referencing the club days of his youth.Photo: (from left) Richard Creamer/Michael Ochs Archives/Getty Images; Courtesy of Marc Jacobs
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Victoriana informed Jacobs’s playful spring collection that had one foot in the county and another on Broadway.Photo: (from left) Bob Thomas/Popperfoto/Getty Images; Courtesy of Marc Jacobs
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Now-legendary clubs like Area and Paradise Garage were evoked in this collection.Photo: (from left) Rose Hartman/Getty Images; Courtesy of Marc Jacobs
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Jacobs, the showman, brought the backstage look to the catwalk for spring.Photo: (from left) Walter Sanders/The LIFE Picture Collection/Getty Images; Courtesy of Marc Jacobs
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MARIA VALENTINO
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Sobriety and structure replaced spring’s theatricality and layering.Photo: (from left) NBC/NBCU Photo Bank via Getty Images; Marcio Madeira/firstVIEW
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Jacobs’s show was informed by what Hamish Bowles described as “the lacquered glamour” of the seventies.Photo: (from left) Robin Platzer/Twin Images/The LIFE Images Collection/Getty Images; Marcio Madeira/firstVIEW
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Jacobs topped a collection he described as “strict and disciplined” with whimsical chin-strapped berets inspired by the movie The Women.Photo: (from left) Everett Collection; Monica Feudi/Feudiguaineri.com
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Jacob’s show opened with “46 girls frozen in Bob Fosse attitudes on an arc of bentwood chairs” but the vibe was more techno than old-school.Photo: (from left) Everett Collection/Marcio Madiera/firstVIEW
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The musical Oliver! provided the soundtrack; The Cat in the Hat, millinery inspiration.Photo: (from left) Everett Collection; Marcio Madeira/firstVIEW
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Warhol superstar Edie Sedgwick inspired the beauty; the sixties; the silhouette.Photo: (from left) Fred W. McDarrah/Getty Images; Fabio Iona/Indigitalimages.com
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This season, it looked like the designer himself was an inspiration.Photo: Gianni Pucci/Indigitalimages.com (2)
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photo: Gianni Pucci / InDigitalteam | GoRunway
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This show was partly a street take on Victoriana.Photo: (from left) Portrait of a woman with a red jacket, 1865, by James Tissot; Buyenlarge/Getty Images; Gianni Pucci/Indigitalimages.com
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Portrait of a woman with a red jacket, 1865. By James Tissot. (Photo by Buyenlarge/Getty Images)Buyenlarge
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Spring’s embellishment gave way to streamlined minimalism for fall.Photo: (from left) Waring Abbott/Getty Images; Gianni Pucci/Indigitalimages.com
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The Wizard of Oz inspired the set (and maybe, just maybe, a few sartorial touches) against which a parade of military-inspired getups were presented.Photo: (from left): Everett Collection; Gianni Pucci/Indigitalimages.com
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Photo: Gianni Pucci / Indigitalimages.com

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