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It was the chic version of move-in day at Milan Fashion Week, with press appointments revealing both Agnona
s new digs and **Paula Cademartori
**s
jewel box of an HQ, with the fashion set taking in **Giambattista
**s latest scene, tallying up The Royal Tenenbaums references and taking in the always glamorous Versace show. Here are all the best bits from our agendas.
1. Agnona s housewarming party: Sleek new offices and an intensely chic take on outerwear—from tailored overcoats, tunics, and waistcoats to a new take on tweedy English toppers, here done in a Prince of Wales check and Shetland tweed double cashmere—made Agnona a very welcome stop this morning.
2. Giamba gets groovy: Giambattista Valli unleashed his psychedelic baby dolls in the middle of Milan this afternoon with a giddy, girlish runway show (the temporary face tattoos sported by the girls were less Charles Manson than one might have imagined) that was one part Janis Joplin, one part Fifty Shades of Grey (hello, leather harnesses!).
3. Rainbow s End at Marco de Vincenzo: Marco de Vincenzo s fall 2015 show took place in the Teatro Franco Parenti, with a glass-fronted set (all the better to build the anticipation!) created by the artist Patrizio Travagli, and it felt both uber-hip and entirely perfect for his latest buzzy offering: from sleek, slinky lurex looks in rainbow tones looks to imminently covetable footwear (chunky boots came with thickly braided heels, bicolored heel versions called to mind the uber-chic equestrian and strappy stiletto sandals with that same braided velvet; a good night out).
4. The Margot Tenenbaum movement picks up steam: From **Alessandro Michele **s beret-clad Gucci girls to **Veronica Etro **s mink intarsia wrappers, it s been a full-on Milanese lovefest for the Wes Anderson–created Margot Tenenbaum. Bally had its own take on the Gwyneth Paltrow character, imagined at its presentation as sporting an electric purple moto jacket. (And can t you just see it?)
5. Versace goes viral: With an intricate set—a metal grid of its iconic insignias disguised a pair of staircases through which models entered to some
catwalking heavy hitters (Natasha Poly, Karlie Kloss) and a series of final looks encrusted with all the makings of a Twitter trending topic (hashtags, "@" signs, et al)—Versace
s runway show was very wham, bam, thank-you-ma’am glam: and decidedly meant for the modern era.
