Weddings

Inside Anant Ambani and Radhika Merchant’s Final Wedding Celebration in Mumbai

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Photo: Luis Monteiro

July 12 was the baraat, or, the groom’s wedding procession. Arriving at the Jio World Convention, there were musical performers and hundreds of dancers as Anant arrived on horseback. “It was out of this world. I’ve never seen anything like this,” designer Prabal Gurung, who was one of over 2,000 guests in attendance along with Tony Blair, Nick Jonas, and Priyanka Chopra, says of the baraat. “The whole room was filled with flowers and Bollywood celebrities. There was all this dancing and singing.” (Those flowers were orchestrated by event planner Preston Bailey, who made over 60 floral animal sculptures, made of Indian flowers, including monkeys, elephants, and tigers. He estimated each one took over 100,000 flowers to make. “It took many sleepless nights,” Bailey tells Vogue, who arrived in Mumbai three weeks ago in order to pull it off. Throughout the evening, people lined up to take photos in front of the installations.)

After a short break, it was time for the wedding. The Hindu ceremony began with the traditional jaimala, where Anant and Radhika exchanged garlands symbolizing acceptance of one another. That was followed by the kanyadaan, or, the official moment where Radhika’s parents gave Anant their blessing to marry their daughter. Then came the phera: or, the actual wedding ceremony where the bride and groom take circumambulations around a ritual fire. Radhika describes the act as “somber yet mesmerizing.”

“Each vow encompasses promises of love, fidelity, prosperity, and mutual respect, creating a foundation for our married life,” she says. Afterward came the sindoor daan and mangalsutra ceremonies, where Anant put vermillion in Radhika’s hair and tied a mangalsutra, or sacred necklace, around her neck. “This can be likened to the exchange of rings in a Western wedding,” Radhika explains. “The ceremony concluded with the aashirwad, where we sought blessings from our elders, ensuring their good wishes for our future.”

For this holy moment, Radhika wore a one-of-a-kind couture look by Abu Jani and Sandeep Khosla in red and white, honoring the Gujarati tradition of panetar. Her ghagra was adorned with intricate floral motifs along with precious stones and sequins. Upon her head was a six-foot veil that had a delicate jaali pattern and cut-work. (“My veil was a true Zardozi marvel,” says Radhika, referencing the cultural term for gold thread embroidery.)

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A wedding portrait of Anant Ambani and Radhika Merchant.

Photo: Stories by Joseph Radhik