City Hall, Dumplings, and Magic: How I Flipped the Script on My Manhattan Wedding

It’s often said that you don’t throw a wedding for yourself, you throw it for other people. Joel and I took issue with this—if we were going to get married, we wanted to have fun with it. Because we’re not religious, nor do we have any rigid family traditions (or rigid family members), we were free to do our own thing. We did have two guidelines, however: We wanted it to be in Manhattan and we didn’t want it to bankrupt us.
I’ve always felt like a city hall bride, which neatly took care of the ceremony. But to pull off the reception, we had to let go of any costly wedding conventions that didn’t speak to us—paper invitations, flowers, even the cake. This allowed us to focus on what we love most about weddings: the dinner, drinks, and dressing up.
With that in mind, we set out looking for a restaurant that could host our wedding party, taking inventory of our favorite places with private dining rooms. I had been going to Café China, a Sichuan hideaway on the edge of Murray Hill, for more than a decade. When it reopened on the West Side of Midtown Manhattan two years ago, around when Joel and I first started dating, it quickly became a beloved shared spot. The restaurant felt a bit out of time—think hanging tasseled lamps, vintage posters of Chinese movie stars, dark wood and jade-colored walls. Even the drinks menu, with cocktails named after Wong Kar-wai films, was designed to charm. And this is to say nothing of the food, which is always excellent. Joel and I tend toward the crowd-pleasers: pillowy pork dumplings, scallion pancakes, Dan Dan noodles, fried rice with mustard greens, and sautéed string beans; we always walk away extremely happy.
As it turns out, on the third floor of Café China is a rather large event space with a corner bar and four dining rooms, one of which is a framed by a showstopper circular window overlooking 37th Street. We were already planning an intimate party, but the floor’s capacity (76 seated) put a finer point on it.
Putting the rest together was rather simple: We weren’t bogged down by picking out tablescapes (the space was already quite chic) or doing tastings (we just multiplied our standard order and, in lieu of the cake, brought in stellar ice cream sandwiches from Nightingale). The challenge was: How do we give this wedding a sense of ceremony without an actual ceremony? Searching for an alternative to exchanging vows, my mind flicked back to one of my favorite movies, When Harry Met Sally, and all those scenes of elderly couples sitting next to each other, telling their story. Joel and I ended up doing something quite similar, recalling our first dates and the moment we knew we were it for each other—but to approximate the big “I do,” we ended our little spiel with a smooch.
We also felt that, without a band, the evening needed a bit of entertainment. That’s where Shane Cobalt, a mind-blowing sleight-of-hand artist, came into play. I was connected with Shane through Dina Litovsky, who shot our wedding. (Besides being an accomplished photographer, Dina is also family; she’s my sister-in-law’s sister.) She met Shane while on assignment at the World Championship of Magic, commonly knows as the “Magic Olympics”; Shane was there competing for Canada in close-up card magic.
Throughout the night, Shane worked the room, combining storytelling with what he calls “elegant visual magic”: He would make cards vanish and reappear in a glass cabinet across the way, and a few times conjured balls of fire seemingly out of thin air. Not only did this have the effect of wowing everyone, but it also made for great photos.
Dina and I agreed that the pictures shouldn’t feel too staged. While she actually got her start shooting weddings, she wanted her photos for us to be a bit more interesting and cinematic, like the work she regularly does for The New York Times Magazine or The New Yorker. Before the party, Dina met me and Joel for an editorial-style photoshoot around the Flatiron District, but at the restaurant, she captured the scene as it was happening—private conversations, moments of sweetness, and big, booming laughs.
After dinner, we all spilled into cabs and headed west to Music for a While, a swanky bar and listening lounge tucked beneath the Selina Hotel in Chelsea. We didn’t think of it so much as an after-party as a late-night wedding bash where we could invite even more friends to drink and dance the night away. After bopping around to Prince and Madonna with a Negroni in hand, I looked around the room and saw friends dancing, hugging, and sneaking away for a cheeky chat. I felt in that moment like Joel and I had pulled off our own kind of magic trick: We planned a wedding that was true and special and significant to us—but also just a fun night for everyone.