Weddings

The Aesthetic at This California Ranch Wedding Was Maximalist, “Craigslist-Core,” and Steeped in Wabi-Sabi

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Photo: Abigail Lewis 

As an ardent consumer of reality television for most of her life, it was always somewhat mystifying to Justine how intense brides could become during the course of planning what is essentially a party. “Now having been through this particular wringer myself, I have nothing but empathy, thoughts, and prayers for bridezillas everywhere,” she says. “The victim of our chaotic situation was wedding planner Alexis Eskenazi. She did a heroic job of keeping us calm and on track […].”

The couple decided at the outset that the wedding would be entirely outdoors, but sadly, because of travel restrictions, Justine had to assume pretty early on that much of her family from Taiwan and Shanghai would not be able to make the journey. To represent her entire maternal family, her cousin Yocheng took one month off work. “Thinking about the sacrifice he made still makes me quite emotional,” Justine says.

Because she knew how difficult it would be for family abroad to join in person, Justine put a lot of thought into her save the dates. “I wanted recipients to be able to experience our love from afar, through a physical object they could interact with,” she says. “What I ended up designing was an abstract Go board, printed on a double silk twill scarf, with chimeric Chinese zodiac animals hidden throughout a floral border. Go is an ancient Chinese strategy game, and the oldest continuously played board game in the world. In many ways, Alexander and I came to truly know each other through playing this game. Playing Go is how we became intimately acquainted with each others’ best and worst instincts, anxieties, and strengths.”

Each scarf arrived in a box that Justine custom designed and produced with IBEX Packaging, along with Go stones, a handwritten note, and a gameplay booklet that introduced guests to the game. “It was so special to be able to share our love for the game with our loved ones,” she says. “Especially those who could not be with us in person.”

From the very start of the planning process, Justine knew that she wanted to wear a hanfu (漢服) for the Han Diaspora Ceremony (more commonly referred to as the Tea Ceremony). “I fully entrusted Suzanne Hanley from Atelier des Modistes to breathe life into my vision,” she says. “For months, she offered advice and expertise in selecting and sourcing the fabrics and provided several rounds of feedback on my sketches for the embroidery.” Hanley also paid keen attention to the shape and volume of the sleeves, mocking the robe in muslin so they could make adjustments along the way.