Weddings

The Bride Carried a Bouquet of Sunflowers for Her Wedding at Her Family Home in Provence

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Photo: Didier Amadori

On the weekend of July 5, 2024, they would tie the knot at Louise’s parents’ home in Mazan. The bride served as her own wedding planner, having familiarized herself with the process during her sister’s wedding on the property a few years prior. (“Even on the wedding day, I would welcome all the vendors and keep track of time and planning,” she recalls. “It may sound awkward to people, but it actually made me enjoy every bit of the way.”)

The celebrations began with a civil court ceremony in the town of Beaumes on Friday. “I was dreaming of an Alaïa dress,” says Louise, who wore a two-piece crop top and skirt set from Alaïa with a Bernadette veil and Prada shoes. “Lorenzo’s family had actually welcomed Azzedine in France years ago—and Lorenzo’s grandmother and the famous designer had a lifelong friendship,” she adds.

For the wedding day on Saturday—a religious ceremony in the Cathedral of Carpentras followed by a reception at the family estate in Mazan—the bride wore Rabih Kayrouz following the advice of her mom, who had encountered the French-Lebanese designer through Marie-Helene de Taillac. “He was the only designer I ever tried for my wedding. I remember trying on some muslin styles and my mother saying, ‘This is really not you; try this instead.’ Mothers always know what’s best for you!” Louise’s mother was also responsible for the pièce de résistance of her wedding day look, a vibrant bouquet of sunflowers. “I was a bit scared at first when she suggested the idea, but it was the most special piece and inspired the tables for dinner,” Louise adds.

Her Rabih Kayrouz gown was a beautifully simple sleeveless dress with a flowing skirt in silk taffeta. She accessorized with a muslin cape, which “Rabih enthusiastically suggested be completed with a hood to bring this modern look and feel”; her antique engagement ring, which was sourced from Charlotte Sayers; diamond stud earrings borrowed from her mother; three bracelets in gold and diamond from Pennisi; a cross of pearls and diamonds her parents had given her after her Catholic confirmation; and a sapphire sunflower ring custom made by Marie-Helene de Taillac—a wedding gift from her parents. Sunflowers become a symbol of their union.

Getting dressed at her parents’ home, Louise had all the calm of a bride in her own element, leaving her bedroom door open for friends and family to drop by. For beauty, she opted for a sleek bun as a nod to her ballet years and light makeup. “Funny fact: I never saw myself as a bride that day as I never looked at myself in the mirror with my hair, make up, and dress!” Louise adds, “I had full confidence in everyone’s work and love for me to make things look the best.” As for the groom, he had a suit custom-made by Lorenzo Cifonelli. “This was a very special experience for me as Cifonelli was my grandfather’s tailor,” he says.