Parties

The Metropolitan Museum of Art Celebrated the Costume Institute’s Fall Exhibition Women Dressing Women

Charlie Engman Aaron Rose Philip Hillary Taymour
Charlie Engman, Aaron Rose Philip, Hillary Taymour
Photo by: Hannah Turner Harts /BFA.com

As part of the exhibition s effort to highlight fashion inclusivity, the museum captured a live body scan of model and disabled activist Aaron Rose Philip to ensure her likeness was properly captured wearing her Collina Strada runway look.

"To be featured as a mannequin representing Hillary Taymour s Collina Strada in The Met s new exhibition is one of the greatest honors of my life. As a model, and as a physically disabled Black trans woman, this is the first time that both the disabled and Black trans demographic gets to see ourselves represented as high art and fashion in this way," said Aaron Rose Philip. "It is such a beautiful step in more equitable usage and representation for people like me in fashion. This is disabled awareness. I m so grateful for Hillary and Charlie Engman."

Attendees included Anna Wintour, Andrew Bolton, Max Hollein, Thom Browne, Amy Fine Collins, Elizabeth Diller, Olympia Gayot, Sara Hiromi, Zac Posen, James Reginato, Sandy Schreier, Sarah VanDerBeek, Maayan Zilberman, and many more faces from New York s art and culture world. Also in attendance were designers Melitta Baumeister, Barbara Hulanicki, Ester Manas, Jasmine Søe, and Yeohlee Teng—all of whom had the pleasure of viewing their works featured in the exhibition. Other contributors at the party included artist Caitlin Keogh, who created headpieces for the show, and musician Juliana Barwick, whose track “Prizewinning” plays in the galleries

"Women Dressing Women is about the individual designer s contributions and women s societal roles. There s a lot of ground to cover. Still, because of the framework of working with the museum s permanent collection, we managed to really dig into all of the designers and discover unknown names," co-curator Mellissa Huber told Vogue. “There were so many different viewpoints we wanted to highlight. The main takeaway is that the better periods for women in general were also the better periods for women in fashion—they re correlated.”