Meryl Streep, Katie Holmes, and More Helped to Fête Tom Hanks’s Return to the Stage in This World of Tomorrow
Tom Hanks has returned to the New York stage for the first time in more than a decade. On Tuesday evening at The Shed in Hudson Yards, the beloved actor officially debuted This World of Tomorrow—an original Off Broadway play that he stars in and cowrote—for a crowd that included Meryl Streep, Martin Short, Katie Holmes, Misty Copeland, and Steve Martin.
In the new production, directed by Kenny Leon, Hanks portrays a lonely scientist from 2089 who travels back in time to the 1939 New York World’s Fair in Queens in search of a woman, played by Tony winner Kelli O’Hara.
Just a few hours ahead of the opening-night performance of This World of Tomorrow, the centerpiece for this year’s The Shed Gala, Hanks and O’Hara sat down together with Vogue inside the Griffin Theater for a candid conversation about the theater, the freedom of art, and love.
“Being onstage is the best life as an actor,” Hanks said. “It’s exhilarating, and it’s ridiculous fun.” (He made his Broadway debut in 2013 with the Nora Ephron play Lucky Guy, earning a Tony nomination for his performance. Five years later, he played Falstaff in the Shakespeare Center of Los Angeles’s production of Henry IV.) “There’s the joy of being an ensemble and getting together with everybody and starting at the beginning of a story and carrying it through the end. It’s a delight.”
All that isn’t to say that the two-time Oscar winner doesn’t suffer from nerves before walking onstage. “If I can get through the first three beats, all will be well. It’s terrifying, though, and we’re on the high wire a couple of times. Anything could happen.”
“Once you get on the train, it takes off,” added O’Hara. “For me, it’s not fear or nerves—it’s adrenaline. It’s the kind of thing you use for your emotion, and it puts your brain into focus. The adrenaline is something that I thrive on for a tiny bit.”
The fact of acting with Hanks still hasn’t entirely settled in. “I’ve done a lot of shows, opened a lot of new shows, I’ve done revivals, and the best part about being on this stage is telling a story with one of my artistic heroes, and that’s Tom Hanks,” she said. “I’m going to say right in front of his face and make him embarrassed.”
Hanks: “Oh jeepers creepers!”
She continued: “He’s just how you think he is. He’s full of energy, he’s full of passion, he never sleeps because he wants to make this better, and he wants to make everybody feel seen and heard. He knows everybody’s name. I come in two hours early, and no one is here except for Tom Hanks. And he’s written the most beautiful story about moving forward with possibility and believing in the possibility of something better.”
Hanks, along with writer James Glossman, based the play on elements from Uncommon Type, Hanks’s collection of short stories published in 2017. In a time of declining trust in our institutions and the stymying of fundamental human rights, Hanks uses the play to discuss aspirational decency by setting the story during an idealized—and idealistic—period in American history.
“I’ve always had a fascination for the 1939 World’s Fair because it was so blatant for its optimism,” Hanks reflected. “It was called The World of Tomorrow, and it was viewed that all humans would have a common future—a shared one of opportunity, growth, and possibility powered by the four freedoms that everybody in the world was entitled to.”
In 1939, according to Hanks, it was believed that mankind was entitled to the freedom of religion, speech, assembly, and press. “You tell me if, here in 2025, the entire world is entitled to those four very basic concepts of freedom,” Hanks said. “They are not. But in 1939, they said, ‘Of course we are.’ And I just think that is beautiful and hopeful and upbeat and representative of art, literature, and, dare we say it, social thought.”
The meet-cute between Hanks’s scientist, Bert Allenberry, and O’Hara’s Carmen Perry—who is visiting the fair with her loudmouth niece Virginia (Kayli Carter)—symbolizes the play’s themes of love and the love that is meant to be.
