For Amalie Røge Hove’s second show back since relaunching her namesake brand, she wanted to find a deeper connection with her clothes. “Last season, we wanted so many things to happen so quickly,” she said in a preview, explaining how many of the pieces were made in the factory, rather than in her knitwear studio. “In the end, I felt a little bit lost; a bit disconnected.”
For fall 2025, Røge Hove took a different approach. As well as honing her precise knitwear techniques, she became inspired by German artist Franz Erhard Walther’s textile installations, which “come alive when a body’s present”—just like her label’s signature stretchy knits do when they come off the hanger.
This season’s starting point could be found in the transparent white tube top that appeared on the runway, alongside a sculptural gray ribbed dress that accentuated the hips. Walther’s interest in geometry also featured, as seen in the slinky window pane dresses and the monochrome stripes, worn as off-the-shoulder shrugs.
The collection was strongest when the designer experimented with new fabrications: the brushed mohair skirts and structured wool cardigans provided a pleasing contrast to the ribbed nylon. It’s here that the designer began to show what a complete A. Roege Hove wardrobe might look like.
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