A Champagne-Soaked Celebration at the Tate Modern With Zoë Kravitz, Tilda Swinton, and Anderson .Paak

Zoë Kravitz, dressed in an elegant Saint Laurent gown with a dramatic bow cascading down her back, made a grand entrance at the Tate Modern in London on Thursday night—gliding down the museum’s sweeping spiral staircase for Dom Pérignon’s ultra-glamorous Révélations bash. Now in its fourth edition, the champagne house’s annual fête welcomed 350 A-list guests, including Tilda Swinton and Emma Corrin, for an immersive evening of art, performance, haute cuisine, and—naturally—free-flowing vintage Dom Pérignon.

The evening also marked the unveiling of Creation Is an Eternal Journey, a new exhibition exploring Dom Pérignon’s storied past, creative present, and visionary future through films, portraits, artwork, and memorabilia. Guests entered the museum through a fog-shrouded passageway, where servers appeared in silhouette holding trays of flutes while hypnotic music—an original composition by Ben Ellis—set the tone.

Inside, guests discovered whimsical anecdotes about Dom Pérignon’s most iconic devotees: Marilyn Monroe reportedly sipped it during photoshoots, Elizabeth Taylor introduced it to Truman Capote (who likened it to perfection itself), and Andy Warhol favored it at Studio 54. The exhibition’s centerpiece, however, spotlighted the maison’s latest creative collaboration with seven visionaries: Kravitz, Swinton, Iggy Pop, Anderson .Paak, Takashi Murakami, choreographer Alexander Ekman, and Michelin-starred chef Clare Smyth.

In her 18-year career, Kravitz has emerged as a creative force—from Big Little Lies and The Batman to her directorial debut Blink Twice. Before entering the exhibition, she reflected on her early inspirations. “I watched a lot of movies growing up—mostly what my parents [Lenny Kravitz and Lisa Bonet] were watching,” she told Vogue. “I loved The Little Rascals from the ’30s, and I remember being so drawn to Jodie Foster in Freaky Friday, Foxes, and Bugsy Malone. She had this strong presence, even as a kid. One of my first jobs was with her in The Brave One, and she really impacted me.”

What’s next for Kravitz on her own creative journey? “I want to keep directing and writing—to explore things that feel vulnerable and a little scary,” she said. “Those are the stories that connect with people. When you express something uncomfortable, it makes someone else feel seen. My goal is always to capture the humanity in the in-between moments. That’s what storytelling is—reflection and connection.”