Weddings

This Vogue Editor Wore a Watteau-Train Dress and Opera Gloves for Her Cowboy-Chic Wedding in Texas

This Vogue Editor Wore a WatteauTrain Dress and Opera Gloves for Her CowboyChic Wedding in Texas
James Moes

On Saturday the two wed among the sun-drenched vines. The bride wore an asymmetrical silk swag-sleeve dress with a Watteau train by Danielle Frankel. “I knew from the beginning that I wanted a Watteau on my wedding dress—that was the detail that stuck in my mind,” she says of her choice. “Then I was assigned to review her collection for Vogue Runway, and that’s when I saw the Skylar. Four months later I couldn’t get it out of my head. So I bought it.” She accented her look with white Coco mules from The Row and opera gloves she bought on Etsy for $100.

When it came to her beauty look, Sarah wanted to feel like herself. She sent her makeup artist, Erica Gray, film stills of Adrienne La Russa in Psychout for a Murder as inspiration. “Strong brows, clear skin, little bit of a wing on the eyes: That’s what I wanted,” she says.

The bride walked down the aisle while carrying a bouquet of gladiolus as an ode to her maternal grandmother. “They were one of her favorite flowers,” Sarah says. “I hate most wedding bouquets but loved the drama of carrying a pageant-style bouquet of gladiolus.” (It was one of many familial nods: “I have three grandmothers and wanted to honor each of them on the day. I wore my stepgrandmother T’s spiral diamond earrings on the big day and my dad’s mom’s charm bracelet to the rehearsal dinner,” she adds.)

Waiting under an arch of eucalyptus and strawflower was Don in a custom suit from Australian tailor P Johnson. The couple found unlikely fashion inspiration from a character in Succession: “I became obsessed with the cream herringbone fabric after watching the season-three finale,” Sarah says, laughing. “Tom Wambsgans wears a suit in a similar fabric, and I was like, ‘That, that’s it!’ Bit of an inauspicious reference for a wedding, but oh, well.”