Weddings

This Sikh and Buddhist Wedding Weekend Took Place Amid Pacific Northwest Evergreens

Image may contain Clothing Apparel Human Person Plant Hat Blonde Kid Teen Child Fashion Gown Flower and Blossom
Photo: Sarah Falugo Co

For the Sangeet on Friday, Amrit decided to celebrate modern Indian garments with a custom pistachio lehenga by Mayyur Girhotra, adorned with sequins and embellished with vibrant jewel-toned florals. She completed her outfit by wearing her mother’s Rani Haar, an antique gold wedding jewelry set from the Punjab state of India. The bride also wanted to wear something blue and opted for powder blue Givenchy heels.

Indrajith wore an olive-green kurta pajama set that was adorned with the same bright pops of color found on Amrit’s lehenga. He paired the kurta with a peacock blue silk vest along with custom brown Ferragamo loafers and his favorite Omega wristwatch.

Later that night, as part of the Mehndi ceremony, both Amrit and Indrajith switched to more informal Indian outfits. Amrit opted for a midnight blue salwar kameez with gold embroidery, and Indrajith selected a crisp white cotton kurta pajama adorned with embroidered cutouts.

Both the Sikh and Buddhist faiths were celebrated as part of Amrit and Indrajith’s wedding weekend. The Sikh ceremony took place in Amrit’s childhood backyard, which showcases the beautiful, natural landscape of the Pacific Northwest.

“[For the Sikh wedding ceremony], we wanted to wear traditional Indian garments and pieces by a designer that evokes old-world charm,” Amrit explains. “So, it came without question for us to pick Rimple Harpreet.” The designers created a mustard-gold lehenga for Amrit, featuring floral motifs and birds of paradise derived from vintage archival brocade fragments and jamawar shawls (one of the oldest forms of woven art). The bride accessorized with a Rajasthani bridal jewelry set inlaid with polki diamonds, rubies, and emeralds, gifted to Amrit by her late mother.

Indrajith wore an ivory gold silk sherwani.The embroidered motif was derived from 17th century Mughal artworks and archival Chintz textiles, rendered with complex patterns using silk thread work, sequins, and pearls. A traditional Sikh turban in crimson red—a color symbolizing a new beginning—completed the look.

Later that evening, as part of the reception, the couple applied a western influence to their Indian attire. Amrit wore a couture crimson Lehenga by Shyamal Bhumika, paying homage to the traditional red shades worn by an Indian bride. Meanwhile, Indrajith wore a classic ivory Tom Ford tuxedo, Ferragamo loafers, and a Tag Huer Carrera watch with a black leather wristband.

The weekend wrapped up with the traditional wedding ceremony of the Sinhalese people of Sri Lanka, also known as the Poruwa. The Buddhist ceremony took place in a section of the garden underneath a rotunda of evergreens. “We utilized two of the trees as part of the mandap, draping them in sheer silk fabric and placing a wooden platform adorned with lentils—grains formed in traditional geometric design patterns that are part of the ceremony,” Indrajith says. The wedding procession took place with both the groom and bride being escorted separately on to the Mandap by a group of Kandyan dancers and drummers. The ceremony was officiated by a Sinhalese master of ceremonies who incorporated the customs of one of the oldest marriage ceremonies with a blend of Buddhist chants and prayers. The ceremony focused on paying homage to mothers, who the Sinhalese often revere as the “goddess of the home” and served as an emotional tribute to Indrajith’s mother and Amrit’s late mother.