Weddings

How One Vivienne Westwood Bride Planned an English Wedding Worthy of a Classic Rom-Com

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Emilie WHITE
Ellies wedding day was suitably romantic for a Richard Curtis devotee.

Ellie’s wedding day was suitably romantic for a Richard Curtis devotee.

Emilie WHITE

The morning of our wedding, I woke up at The Portobello Hotel, rested after an extremely unexpected solid eight hours of sleep. I walked through Notting Hill, the streets of both my childhood and my favorite rom-com of all, to an 8 a.m. class at Heartcore Pilates. The trainer looked at me like I was a lunatic on day release when I told him it was my wedding day—“Why the hell are you here then?!”—but got on board quickly, peppering the playlist with themed songs and finishing up with The Dixie Cups’s “Going to the Chapel” before the whole studio waved me off, a host of wonderful strangers cheering me on.

From there, it was back to The Portobello Hotel for room service (boiled eggs, soldiers, and a mint tea—a wise friend told me caffeine makes you sweat), and to begin getting ready. I’m not totally sure how but from the moment I woke up, I felt mindbogglingly calm, with an intense clarity and presence of mind I’ve never experienced before. Regular acupuncture with Ross Barr certainly played a role, as did, I’m sure, a recently acquired habit of daily meditation. But, above all, I think it was because I felt certain, for the first time in my life, that I was exactly where I was meant to be.

If I hadn’t been feeling so serene, makeup artist Jennifer Oliver would have remedied that in a flash. The human embodiment of a rose quartz crystal, I would set her soothing voice as my alarm clock if I could. She also happens to be a genius of a makeup artist, who made me look (and more importantly, feel) my absolute best. Hershesons’s brilliant Grace Amelia gave me the half-up, half-down ’do of my dreams, and placed my veil like she was crowning me a queen. I’m borderline freakishly obsessed with my fringe, and I wouldn’t have trusted anyone else with it.