The Bride Wore a Veil Crafted From Antique Lace to Marry at a 16th-Century Church in Naples

Italian noble Anna Virginia Visocchi Sanseverino di Marcellinara first met Corso Sestini Branca di Romanico of the Fernet Branca family over lunch with friends in Milan. “It was one of those instantaneous, powerful connections: an exchange of glances and words that lets you guess there is something special,” Anna Virginia recalls of their 2019 meeting. “But it was not yet our moment.”
A year later, the two met again in a similar fashion. “Same place, same energy, this time without obstacles,” Anna Virginia says. “We started talking about our passion for traveling to the most remote places in the world, and suddenly I felt an unexpected sensation: Corso seemed familiar to me, like someone I had known forever.” A chance third meeting cemented their future. “A chat that became a dinner, a dinner that became a love,” she adds.
The following week, Corso invited Anna Virginia on a trip to Lugano. “Like a true ‘old-fashioned’ gentleman, first he asked permission from my brother Giorgio, already his friend,” says Anna Virginia. “Giorgio, with his usual irony, answered: ‘Are you sure? My sister is very challenging… at your own risk and peril.’ Corso smiled. And since then, we have never left each other.”
On a late summer weekend, Corso and Anna Virginia traveled to Belgium together for a wedding. “Arriving in the splendid countryside surrounding the lake where we stayed, Corso spotted a small rowing boat,” remembers Anna Virginia. “He decided that it was the idea of the century to ‘borrow’ it without asking anyone. We left everything on the ground: phones, distractions, the world. Just us two, a pink sunset, and elegant swans as perfect extras.” Alone on the lake, Corso got down on one knee with a ruby ring that belonged to his maternal grandmother. He had asked Anna Virginia’s father for permission months before. “It was a unique moment: intimate, spontaneous, emotional… and also a bit dangerous. In the meantime, the little boat had started drifting away,” she says. “But it didn’t matter. The world was there in that meter-and-a-half of water and amazement. A perfect instant that I will carry with me forever.”
Deciding on the wedding venue was “simply obvious,” shares the bride. “We would get married at home, in the 18th-century Vesuvian villa to which I am deeply attached, thanks to the memory of my beloved great-grandmother Lilly, a wonderful woman who lived there and who made that place part of my soul.” While the Naples villa was being restored, it finished just in time for the July 5, 2025, celebration. The ceremony would first be held at the Church of the Gesù Nuovo—another location full of history for the bride. “The church, with its rusticated façade and almost suspended atmosphere, was once the Palace of Prince Roberto Sanseverino, one of my ancestors,” Anna Virginia explains. “Finding ourselves there, in the heart of a place so deeply linked to my family history, made every moment full of meaning.”
The bride admits she hadn’t always dreamed of a big wedding, so she turned to her mother, Selvaggia Sanseverino di Marcellinara, to lead the charge on planning alongside Carolina Pignata Lambert, owner of La Festa by Homeating. “Every time we arrived in Naples for [wedding planning] appointments, we found my mother completely absorbed in the preparations, brimming with ideas and surrounded by hundreds of meters of fabric—samples for tablecloths, napkins, cushions, and upholstery,” shares Anna Virginia. “I remember Corso was astonished when we chose the thread color to have 400 crochet doilies handmade in the Marcellinara family estate, one for each bread plate. It was our way to say: every guest welcomed with the same warmth as one who crosses the threshold of home.” Other family members pitched in to help their day come to life: Corso’s mother Ilaria Branca supported on invitations, his brother Carlo curated welcome boxes, and the bride’s brother Giorgio aided with music and seating. “Everyone put their heart and commitment into this collective creation,” shares Anna Virginia.
When it came to her wedding day attire, Anna Virginia was sure of one thing from the beginning—she would be wearing Bruges lace veil from the 18th century that was worn by her mother and other women in her family for generations. Italian designer Luisa Beccaria was her choice to craft a bespoke gown to pair with the antique accessory. “Only Luisa Beccaria could have created a dress [that was] romantic, elegant, and simple at the same time—capable of dialoguing with a real piece of history,” says the bride. “With extraordinary care, Luisa and her embroiderers—first of all the talented Bintu—created a unique dress, which connected to the ancient with absolute naturalness while remaining surprisingly young and contemporary.” Aquazzurra helped finish off the look with custom heels using the same lace as the dress.
The cap-sleeved gown’s full skirt saw some unexpected alterations as the wedding night went on. “During the party, I decided to dismantle it, removing all the layers of the underskirt to dance more freely,” says Anna Virginia. “And yet, despite the twist, the embroidered dress remained impeccable, maintaining grace and elegance even without structure.”
Corso long has worn suits by Rubinacci, tailored by his close friend Luca Rubinacci, so the brand worked to craft the groom ’s wedding day attire. The bride explains, “Even Mariano Rubinacci took part in the fittings of the morning coat with immense affection, creating a suit nothing less than perfect—a page of style that enters elegantly into the history of the maison.”
The celebrations began on Friday, July 4, with a cocktail celebration at Circolo Nazionale dell’Unione hosted by the bride’s grandparents. “We welcomed guests arriving from all over the world and celebrated with lifelong Neapolitan friends—because yes, at the wedding we would be 400, but that Friday, we were over 600,” says Anna Virginia. “Three generations united in the same elegant, timeless, and ageless atmosphere.” As the night continued, the younger guests took shuttles to the iconic Naples pizzeria Concettina ai Tre Santi. “Ciro Oliva welcomed us with his famous creations, amid a triumph of sounds, flavors, improvised serenades, and that true joy that only Naples can give,” she recalls.
The wedding day finally arrived, and guests began congregating at the Church of the Gesù Nuovo. The bride’s entrance was preceded by a procession of eight garçons d’honneur, “lifelong friends of both mine and Corso’s—a sort of chosen family who have been with us our whole lives.” The couple also had three witnesses each, including their family friend H.R.H. Prince Carlo of Bourbon-Two Sicilies, and three page boys and flower girls—“our beloved Lily and Freddie Parente, the children of our dearest lifelong friends and grandchildren of the Dukes of Portland, and Pepper Sturm, daughter of our beloved friend Dr Barbara Sturm.” His Excellency Monsignor Giuseppe Sciacca officiated the proceedings, which received the blessing of Pope Leo XIV—“an immense honor, which made everything even more unique.”
The bride and groom reflect on how they were surprisingly calm ahead of the huge ceremony. “Before I entered the church, a very dear friend asked Corso how he felt,” shares Anna Virginia. “He answered, ‘I am not emotional, I am just really happy.’ I think that this sentence tells exactly how we lived that moment—the two of us.” As they exited the church, the newlyweds were surprised by their garçons d’honneur holding flower-adorned swords to create a “perfumed tunnel for our first step as husband and wife.” A parade of 50 shuttles playing “That’s Amore” proceeded to whisk guests through the city to the reception. “Once arrived home, the façade of the villa became a true stage: dancers of Neapolitan tarantella in historical costumes announced that the party had officially begun,” describes Anna Virginia. Guests received fabric fans and enjoyed bites from live cooking stations and passed treats, served on silver trays the couple purchased on a trip to Marrakesh.
