Weddings

At Her Festive London Wedding, Designer Savannah Miller’s Bridal Look Was Inspired by Arthurian Legend

At Her Festive London Wedding Designer Savannah Millers Bridal Look Was Inspired by Arthurian Legend
Photo: Benjamin Wheeler

The bride’s jewelry was made locally by her friend Heidi Hockenjos. “She took apart an ’80s diamond ring that my mum gave me when I was born but that had never been worn and created tiny golden discs and diamonds to lay across my décolletage,” Savannah explains. “Her work is so fine and delicate, and it felt like the perfect accompaniment to the dress.  She also created our wedding rings and engraved the initials of our families inside them so that they can be with us every day in our marriage.” For shoes, Savannah wore bespoke Jimmy Choo kitten heel mules with a pearl and diamanté strap. The couple’s initials were emblazoned on the soles for a more personal touch.

James himself wore an elegant, bespoke three-piece suit from Norton Sons of Saville Row, while Savannah’s sister Sienna had always loved the Cerise dress from the Savannah Miller Bridal line, so a bespoke version was created especially for her in a sumptuous cornflower blue velvet with a shorter hem.

The bride arrived at the ceremony in an incredible 1962 Austin Healey with her son, Moses, on her arm. He walked his mother down the aisle while The Petersham Consort choir sang “In Dulci Jubilo.” “James and I chose to get married at this time of year because we both adore Christmas,” Savannah explains. “We went all out singing our favorite Christmas carols.” Sienna then read the lyrics to “Into My Arms” by Nick Cave, and James’s sister read a beautiful poem by Rainer Maria Rilke called “Pathways,” which was chosen to illustrate the quiet peace that the couple values in their relationship.

The choir went on to sing “A Gaelic Blessing” while the couple signed the register. “St. Peters is an old Saxon church, so rather than standing at the front we stood in the middle of the church with our friends and family all around us,” Savannah remembers. “It felt so intimate and magical being so close to all of them. Creating the ceremony was a very personal process, and it was really reflected in the atmosphere that we generated as a result. I was completely elated from start to finish. It was just incredible to see all of our loved ones gathered together, singing their hearts out all dressed to the nines for a glamorous Christmas party.”

After the service, Savannah ducked into the vestry with her new husband and the bridesmaids to sneak in an outfit change. “I had designed, with my angelic right hand, Charlotte, a very long and dramatic golden sequin cape with a ruffle collar to wear after the service, and she secretly made me some tulle sleeves with scatter-pearl embellishment,” Savannah says. “All of the textures at play were just a feast for my senses.”

The newlyweds walked from the church to their reception, flanked by friends and family, through the gardens of Petersham House to the nurseries for the reception. There, they had a string swing band playing, and mulled wine was served with canapés before dinner. When guests were finally seated, the meal was a rowdy affair, with long banquet tables covered in heaving plates of food served family-style down the middle of the tables.