At Her Festive London Wedding, Designer Savannah Miller’s Bridal Look Was Inspired by Arthurian Legend
On a typically British summer day in 2019, where there was rain and sun in equal measure, James Whewell’s sister Sarah hosted a barbecue that designer Savannah Miller happened to attend. “I was faffing with my puppy and someone came running into the house saying: ‘You have to come outside, there’s a huge double rainbow in the sky,’ ” Savannah remembers. “When I went outside, sure enough, there was the most amazing rainbow I have ever seen—and standing directly below it was James and his tall black hairy dog, Tipsy. It was like a Turner painting, and I definitely did a double take.”
Last year, James—who manages Wyresdale, his family’s estate in Lancashire—proposed on Boxing Day at Savannah’s kitchen table with all of the family looking on. “He had asked the kids if they would be his stepchildren that morning—down on one knee, with the ring!—so they were all in on it,” she remembers. “I couldn’t understand why everyone was so twitchy and not eating the delicious ham I had cooked for lunch or why he was wearing his jacket at the table. Then he got down on one knee beside me, and we all melted in tears of joy and laughter.”
Just under a year later, they married at St. Peter’s Church in Petersham on Friday, December 9. In order to be legally married there, they had to visit the church every month for the past eight months so they’d formed a deep and special bond with this particular place of worship and especially with Reverend Kate Daymond.
In the lead-up to the main event, Savannah loved every minute of the planning process. “It really helped me reconnect with my creativity,” she says. “Being in a creative business means that often I have to listen to my head not my heart and this process has reminded me that true creativity comes from the heart and the heart alone.”
With the wedding date falling just before the holidays, Savannah leaned into all things opulent and dramatic when it comes to her wedding look—albeit in her typically cool and understated way. “I was super inspired by the classical Arthurian Lady of the Lake as well as Catherine the Great for some major drama,” the designer says. “I’ve dressed a lot of brides over the years and had a good understanding of what I wanted for myself. The look—now named the ‘Savannah’—was designed to work for my ceremony and reception and was made up of a super sexy bias-cut gold satin dress with a structured corset and plunging neckline.”
The second part of her dress, which was worn on top, was a delicate golden Chantilly lace dress that had trailing waterfall lace sleeves to the floor as well as full lace godets to create a winter queen vibe during the service. (Savannah also added a hidden zip on the skirt that she opened later in the evening to create a sexy slit.) Finally, she finished the neck edge off with a tiny gathered lace edging and antique diamanté and pearl trim and completed the look with a crown from Tilly Thomas Lux to add a regal finishing touch.
The bride’s jewelry was made locally by her friend Heidi Hockenjos. “She took apart an ’80s diamond ring that my mum gave me when I was born but that had never been worn and created tiny golden discs and diamonds to lay across my décolletage,” Savannah explains. “Her work is so fine and delicate, and it felt like the perfect accompaniment to the dress. She also created our wedding rings and engraved the initials of our families inside them so that they can be with us every day in our marriage.” For shoes, Savannah wore bespoke Jimmy Choo kitten heel mules with a pearl and diamanté strap. The couple’s initials were emblazoned on the soles for a more personal touch.
