Weddings

The Bride Wore Vintage—And Her Own Custom Designs—To Her Loire Valley Wedding

The Bride Wore Vintage—And Her Own Custom Designs—To Her Loire Valley Wedding
Photo: Sam + Larissa

The celebrations would move from casual to elegant, beginning with an outdoor party on Thursday evening at Clare Vivier’s garden in Saint-Calais. “Everything was prepared by family members, who were in and out of the kitchen all afternoon, and then we brought in a local crêpe truck for dinner,” describes the bride. “The party went late into the night, with an impromptu concert with my uncles playing guitar, my cousins taking turns on the mic, and Alexandre DJ-ing and guests dancing to Prince and Sade under the stars.”

On Friday, the bride and groom took guests along to tour a 15th-century wine cave on the banks of the Loire Valley. That evening, they would host a rehearsal dinner at Château de la Huberdière. The couple describe the event as a “French-style grill-out,” where they served ribeye and salmon along with pairings from local, independent wine and beer vendors. On the wedding day, the couple would exchange vows on the château grounds in front of their 150 guests before everyone gathered at a long table beneath a tree-lined pathway for a candlelit meal.

When deciding on her wardrobe for the wedding weekend, the bride made a choice to embrace vintage. “Working in the fashion industry is a gift because it introduces you to incredible designers and endless inspiration, but it can also bring a certain decision fatigue,” says Sophia. “Vintage sourcing, on the other hand, has always been second nature to me—a passion rooted in years of thrifting and treasure hunting with my mom.” After hearing great things about vintage bridal curator Shop Gossamer in Atlanta, Sophia reached out to work with them to help curate her looks. “After months of searching, I found my dress: a silk, drop-waist gown with a pleated skirt and long train,” she says. “Once it arrived, I brought it to Hollywood red carpet ‘secret’ tailor Susanna Badalyan— introduced by LA stylist Erica Cloud—and together we reimagined the skirt with soft, romantic gathers while perfecting the fit.” The resulting look was something the bride says exceeded anything she could ever dream of.

Since Sophia majored in apparel design at school, she put her own sewing skills to work to make her veil. The bride found vintage dead-stock lace and a floral embroidered trim sourced from Mood in New York and Michael Levine in Los Angeles. “My mom and Aunt Clare lovingly sewed the trim on in the days leading up to the wedding,” she adds. Sophia also made her own after-party dress based on a vintage pattern she bought years before of a body-skimming lace column dress. “[It was] paired with a removable cape, an ode to my mother, who had an apparel business in the ’90s called Taylor Fran that specialized in capes,” she shares.

To accessorize, Sophia received some very special gifts from members of her growing family. First, her aunt created a custom Clare V. bag for the bride: “A simple, chic frame bag made from smooth, milk-colored goat leather that Clare lined with fabric from her mother’s wedding dress—now my forever-cherished heirloom.” Her new mother-in-law also gave her a pair of Manolo Blahniks to wear down the aisle. “It felt incredibly meaningful to carry a piece of her history with me as well on such a special day,” notes Sophia. She finished off her look with a diamond tennis bracelet and matching studs by Los Angeles jewelry designer Grace Lee who also crafted her engagement ring and wedding band with Alexandre.