Skip to main content

How Pamela Anderson and Her Sons Got Ready for the Premiere of ‘Pamela, a Love Story’

She calls the film, which was produced by her eldest son, a “love story.” Director: Nina Ljeti Director of Photography: Stephen Tringali Editor: Michael Suyeda Producer: Naomi Nishi Associate Director, Creative Development, Vogue: Alexandra Gurvitch Associate Producer: Courtney Walden Assistant Camera: Jacqueline Lehr Audio: Gloria Marie Hair: Sara Tintari Makeup: Eileen Madrid Stylist: Rebecca Ramsey Stylist Assistant: Kat Cook Filmed at: The Beverly Hills Hotel Production Coordinator: Ava Kashar Production Manager: Kit Fogarty Line Producer: Romeeka Powell Senior Director, Production Management: Jessica Schier Assistant Editor: Andy Morell Post Production Coordinator: Jovan James Supervising Editor: Kameron Key Post Production Supervisor: Nicholas Ascanio Global Entertainment Director, Vogue: Sergio Kletnoy Director of Content, Production, Vogue: Rahel Gebreyes Senior Director, Programming, Vogue: Linda Gittleson Executive Producer: Ruhiya Nuruddin VP, Digital Video English, Vogue: Thespena Guatieri

Released on 02/03/2023

Transcript

This is me.

Remember me with the big hair and the black eyes

and the glitter all over the place?

That s me.

Hello.

Come on in, Vogue.

Just gonna make sure that no bad vibes are coming in.

[soft sensual music]

It s the premiere of the Netflix documentary

that my son produced.

So we re gonna do the red carpet.

I m not gonna watch it though.

This is a lot about me.

I mean, my book, then there s the doc,

all these interviews and these photo shoots and stuff.

It just feels all very me, me, me,

but I feel like just do it one last time.

Pam s classic hairstyle.

Bouncy, beautiful.

Yeah, we re just doing my thing.

I think part of my reason

for really kind of stripping down

and stripping all this away

is because it s just time to really be myself.

I know that kinda sounds funny coming from me,

but how great is that?

Hi.

Hello.

What s up?

This is me as a parent in a makeup chair

somewhere with my boys.

[Brandon] Yeah, pretty standard.

Do you feel good?

Yeah, I feel good.

It s been nice.

Just had like the candles, little Palosanto,

I was like saging everybody.

I just gave em the keys to my archives and said,

The only thing I wanna know about this is nothing.

Didn t realize we were making a movie.

I know, but it all came together.

I ve known all along we were gonna make this movie for sure.

Well, I just think it s always such a complicated topic

when you re, you know, making a film about your family.

Nobody wants to go back and tell the hard truth.

I think having an open and honest history

of her life and our family, I think has never been

like an easy conversation for anybody.

I think most people are scared of their true selves.

I think it s your love letter to your parents, really.

You know, when I see it, I just, you know,

I can tell how much love and compassion

went into making the film.

I just wanted this to be as honest as possible,

but I think the hardest job in the world is to be yourself.

The truth isn t that bad.

The truth is good.

So no matter what comes of this, it s the truth

and let people respond how they respond.

Okay, it s time for you to get dressed.

[Dylan] At least put the pants on.

You have to put your pants on at least,

and then jacket on the way out.

This is what I was gonna wear.

[Pam chuckles]

Okay, I m gonna have to go put my red like swimsuit on.

I ll be back.

[soft sensual music]

Here we are.

Flashback.

[people cheering]

Wow. why not?

Oh my gosh. Oh my gosh.

It took me a lot less time to get dressed than you.

That s true.

Naim Khan.

Look at all of us together.

And then I m red in the middle.

It s like, I just wanted to blend in.

[soft sensual music]

All right, Vogue.

I ll see you there.

[paparazzi chattering] [cameras clicking]

[soft sensual music]

Up Next